Fashion in the 1970s is about individuality. In the early 1970s, Vogue proclaimed “There are no rules in the fashion game now.” Instead of brands and following the trends like previous eras, the 70s were about “Freedom”, “identity” and “Personal Expression”. Fashion in the 1970s began with a continuation of the mini skirts, bell-bottoms, and the androgynous hippie look from the late 1960s and eventually became an iconic decade for fashion.
There were a lot of sub cultures group developed in the 1970s, therefore there were no specific trends of recognizable style as there were too many choices offered. This created oversupplying designs flooding into the fashion market with no specific, clear direction. Another reason that led to too many choices offered was the rise of technology. New technologies brought advances in production through mass production, higher efficiency, generating higher standards and uniformity. Generally the most famous silhouette of the mid and late 1970s for both genders was that of tight on top and loose on bottom. The 1970s also saw the birth of the indifferent, anti-conformist casual chic approach to fashion, which consisted of sweaters, T-shirts, jeans and sneakers.
In the 1970s, there were two influential designers who brought in a new perspective in the 1970s women fashion. Both the French designers, Yves Saint Laurent and the American designer Halston observed and embraced the changes that were happening in the society especially on the huge growth of women’s right and youth culture where most of their inspirations came from. They successfully to adapt their design aesthetics to accommodate the changes that the market was aiming for.
The top fashion models of the 1970s were Lauren Hutton, Margaux Hemingway, Beverly Johnson, Gia Carangi, Janice Dickinson, Cheryl Tiegs, Jerry Hall, and Iman.
The 1970s was the time when different changes for reforms arose. There was the protest against the war in Vietnam. Moreover, the new right movement was raised whereby people fought against high taxation and school desegregation plan. This influenced how people interacted with each other. The fashion resulting from this period displayed rebellion among people. Development of hippie culture was an expression and a way of opposing the Vietnam war, the advocacy of world peace. Furthermore, it showed the hostility to the authority that governed during this period. During this period, there was the introduction of the environmentalist movement, and this also influenced how people lived.
The decade began with a continuation of the hippie look from the 1960s, giving a distinct ethnic flavor. Popular early 1970s fashions for women included Tie dye shirts, Mexican peasant blouses, folk-embroidered Hungarian blouses, ponchos, capes, and military surplus clothing. Bottom attire for women during this time included bell-bottoms, gauchos, frayed jeans, midi skirts, and ankle-length maxi dresses. Hippie clothing during this time was made in extremely bright colors, as well as Indian patterns, Native American patterns, and floral patterns.
Women's hippie accessories of the early 1970s included chokers, dog collars, handcrafted neck ornaments, and accessories made from natural elements like wood, shells, stones, feathers, Indian beads and leather. All of these replaced standard jewelry. Unisex hippie accessories included headbands, floppy hats, balumba balls, flowing scarves, Birkenstocks, and earth shoes.
Although the hippie look was widespread, it was not adopted by everyone. Many women still continued to dress up with more glamorous clothes, inspired by 1940s movie star glamour. Other women just adopted simple casual fashions, or combined new garments with carefully chosen secondhand or vintage clothing from the 1930s, 1950s and 1960s. More simple early 1970s trends for women included fitted blazers (coming in a multitude of fabrics along with wide lapels), long and short dresses, mini skirts, maxi evening gowns, hot pants (extremely brief, tight-fitting shorts) paired with skin-tight T-shirts, his & hers outfits (matching outfits that were nearly identical to each other), and flared pants. Pastel colors were most commonly used for this style of clothing, such as mauve, peach, apple green, pink, yellow, white, wheat, camel, gray, and baby blue. Rust, tangerine, copper, forest green, and pistachio became more popularized from 1973 onwards. Sweaters were a huge phenomenon in the early 1970s, often outfits being judged entirely by the sweater. This fragmented into more styles, such as sweater coats, sweater dresses, floor-length sweaters, and even sweater suits. Many of them were trimmed with fur, especially faux. Chunky, shawl-collared, belted cardigans, often in brown and white, were also commonplace.
Glamorous women's accessories of the early 1970s included cloche hats or turbans, pearl earrings, necklaces, and bracelets, feather boas, black-veiled hats, clogs, wedgies, cork-soled platforms, and chunky high heels. Golden chains, gold-button earrings and rhinestone clips started to become popular again in 1973 after several years of homemade jewelry.
In the early 1970s boots were at the height of their popularity, continuing onward from the mid 1960s. Women had boots for every occasion, with a wide variety of styles being sold in stores for affordable prices. Despite the wide variety, the most popular boots were Go-go boots, crinkle boots (boots with a shiny wet look that was wrinkled), stretch boots, and granny boots (1920s style lace-up boots that ended just below the knees).
By 1974, the T-shirt was no longer considered underwear, and was by then made in elaborate designs such as slogans, sports teams, and other styles. Around the same time the looser, more flowy shirts of the early 1970s had given way to fitted tops.
By the mid 1970s, the hippie look had completely disappeared, although casual looks continued. In the mid 1970s women wore sweaters, T-shirts, cardigans, kimonos, graphic T-shirts and sweaters, jeans, khakis, gauchos, workmen's clothes, and vintage clothing. Around 1976, casual fashion adopted a Parisan peasant look. This included capes, turbans, puffy skirts and shirts with billowing sleeves.
In the mid-1970s, accessories were generally not worn, adopting a minimalistic approach to fashion akin to that of the 1950s. Small leather shoulder bags were worn by women everywhere, and popular shoes included Mary Janes, knee-high boots with rounded toes, platform shoes and sandals, Birkenstocks, and loafers. Despite the lack of accessories, the mood ring was a big fad in the mid 1970s.
Clean-cut, all-American active wear for women became increasingly popular from 1975 onwards. The biggest phenomenon of this trend was the jumpsuit, popular from 1975 onwards. Jumpsuits were almost always flared in the legs, and sleeves varied from being completely sleeveless to having extremely long bell-sleeves. Other sportswear trends included tracksuits, tunic shirts, crop tops, tube tops, sweatshirts, hip-huggers, low rise pants, and leisure suits. This continued into the 1980s.
Accessories were less of an importance during this time, but two very desirable accessories included sneakers and tennis headbands.
Starting in 1975, women's semi-formal wear became more tailored and sharp. This included a lot of layering, with women wearing two blouses at once, multiple sweaters, pants underneath tunic dresses, and jumpers worn over long, fitted dresses. The 1970s also featured some of the most scandalous dresses worn publicly in American history up to that point. Other clothes worn in this style include suede coats, peacoats, blazers, cowl-neck sweaters, pencil skirts, backless dresses, extremely low-cut dresses, palazzo pants, tube dresses, evening gowns, jacket dresses, and pinstriped pantsuits. Women's dresses in the mid 1970s were dominated by pastel colors, but Asian patterns were also common.
Accessories for the more formal styles included high-heels (both low and high, mostly thick-heeled), turbans, and leather shoulder bags. Boots continued their popularity in the mid 1970s. This trend expanded to other styles, most notably the wedge heel (arguably the most popular women's shoe of the mid 1970s). Boots became rounder, chunkier, heavier, and thicker, and were more expensive than they were in the early 1970s. Popular boots of the mid 1970s included wedge boots, ankle boots, platform boots, and cowboy boots. The A/W Haute Couture Collection “Opium Collection” by the French designer Yves Saint Laurent was inspired by the Chinese culture and history.
In 1977, fashion became more baggy. This caused much controversy, as women with trim figures bemoaned not being able to flaunt them while heavier women complained the looser clothes made them look even larger. To make up for this, it became fashionable to show more skin. This resulted in shirts being unbuttoned, sleeves being rolled up, and tops being strapless, see-through, and lacy. Shiny satin and gold colors were also used to make up for the lack of tighter clothing. Styles became curvier in 1978, with shoulder pads, tighter skirts, and narrower waistlines. The silhouette that resulted was an inverted triangle, it was positively received by the general public. By 1977, pants were only flared slightly and sometimes not flared at all.
Women's fashions in the late 1970s included cowl-neck shirts and sweaters, pantsuits, leisure suits, tracksuits, sundresses worn with tight T-shirts, strapless tops, lower-cut shirts, cardigans, velour shirts, tunics, robes, crop tops, tube tops, embroidered vests and jeans, knee-length skirts, loose satin pants, designer jeans, culottes, daisy dukes, and tennis shorts. This continued into the 1980s.
Accessories included scarves, gold jewelry, flowers, ankle boots, 1940s style hats (often tilted), skinny and wide belts, boas, braceleted gloves, spike-heeled sandals, mules, ankle-strapped shoes, waist cinchers, and obi wraps. Color had almost completely faded from fashion in the late 1970s, with earthy tones like browns, light blues, tans, grays, whites, and blacks making a comeback.
The frenzy for boots had cooled down by the late 1970s, but they remained popular, especially in the winter. They became less flamboyant by that point in time, and they mostly came in black, brown, or burgundy. The most popular boots were either knee-high or reached the mid-calf, and were made in leather, suede, urethane, or rubber. The toes were rounded, and zippers were on the side. The heels were usually only 2-4 inches, and the heels were sometimes even flat. Women continued to wear wedge heels and ankle boots, as well as knee-high boots with thick kitten heels.
In Pakistan, Afghanistan and Iran, many liberal women wore short skirts, flower printed hippie dresses, flared trousers, and went out in public without the hijab. This changed following the Soviet invasion of Afghanistan, military dictatorship in Pakistan, and Iranian revolution of 1979, when traditional conservative attire including the abaya, jilbab and niqab made a comeback.
In 1977, American actress Farrah Fawcett popularized the one-piece swimsuit which in turn launched the trend for the maillot. This was, when it resurged in the 1970s, a sexy, tight swimsuit, with deep neckline and high-cut legs, worn by young women and girls in lieu of the bikini, although it did not entirely replace the latter. This continued into the 1980s.
Disco fashion featured fancy clothes made from man-made materials. The most famous disco look for women was the jersey wrap dress, a knee-length dress with a cinched waist first designed by Diane von Fürstenberg in 1972. It became an extremely popular item, as it flattered a number of different body types and sizes, and could be worn both to the office by day, and to nightclubs and discos by night.
The popular disco music genre spawned its own fashion craze in the mid-1970s. Young people gathered in nightclubs dressed in new disco clothing that was designed to show off the body and shine under dance-floor lights
1970s in Western fashion Wikipedia
Disco fashion was generally inspired by clothing from the early 1960s. Disco clothes worn by women included tube tops, sequined halterneck shirts, blazers, spandex short shorts, loose pants, form-fitting spandex pants, maxi skirts and dresses with long thigh slits, jersey wrap dresses, ball gowns, and evening gowns. Shoes ranged from knee-high boots to kitten heels, but the most commonly worn shoes were ones that had thick heels and were often made with see-through plastic.For the first time in decades, there was a significant shortage of raw materials and fabrics, including synthetics like vinyl and nylon. As a result, everyday designers kept things simple. The early 1970s were a continuation of late 1960s hippie fashion. For men this particularly meant bell bottom jeans, tie dye shirts, and military surplus clothing. Other early 1970s clothes for men included tweed sports jackets, khaki chinos, chunky sweaters in cream, dark green, beige and sky blue, storm coats, tartan jackets, peacoats, flannel shirts, pleated pants, baseball jackets, corduroy pants, crocheted waistcoats, striped pullover sweaters and sweater vests, tassels, belted cardigans, and hip-huggers.
The most popular accessories of the early 1970s for men were homemade, with necklaces, headbands, and bracelets being made from all-natural materials such as wood, hemp, flowers, leather, shells, stones, and Indian beads. Unisex hippie accessories included headbands, floppy hats, and flowing scarves. Men's footwear in the early 1970s included flip-flops, oxfords, Birkenstocks, platform shoes, earth shoes, and cowboy boots.
Due to the ongoing Cultural Revolution in China, Western style clothing was suppressed and both sexes wore grey Mao suits until the early 1980s. The suit, unchanged since the 1940s, typically had four external pockets, five buttons, and a turn-down collar. In contrast to the Chinese mainland, many people in Taiwan and Hong Kong abandoned the Zhongshan suit during the early 1970s due to its association with Communism.
In the UK, France, India and Australia, green, blue or beige safari jackets similar to the Mao suit became popular among liberal men due to their association with socialist values, travel to exotic locations, 1930s Hollywood, and Roger Moore's portrayal of James Bond and Simon Templar. These were also worn in place of the business suit in decolonised African countries, including South Africa, Rhodesia, and Mobutu's Zaire where it was known as an Abacost and paired with a leopardskin fez resembling an Astrakhan cap.
By 1973, androgynous glam rock fashion had gone mainstream for young British people of both sexes. These included embroidered Western shirts, velvet sports coats, Royal Stewart tartan as worn by the Bay City Rollers, red or blue shawl collar tuxedo jackets, frilly shirts, high necked nehru jackets, synthetic fabrics like satin, wide kipper ties, black or tan leather jackets, silk scarfs or ascots, shawl collar sweaters, satin shirts with oversized collars, drainpipe trousers as worn by Mud, and platform shoes of the type favored by Slade, Kiss, Alvin Stardust, David Bowie, and Sweet. Unisex men's and women's outfits with few differences often came together in matching sets, and popular colors included cream, burgundy, brown, and orange.
Fashion in the 1970s was generally informal and laid back for men. Most men simply wore jeans, sweaters, and T-shirts, which by then were being made with more elaborate designs. Men continued to wear flannel, and the Leisure suit became increasingly popular from 1975 onwards, often worn with gold medallions and oxford shoes. Vintage clothing, khaki chinos, workmens clothes, sweatshirts, leather coats, and all-denim outfits were also desired among young men. Other trends include printed shirts, zip-up cardigans, Birkenstocks, mood rings, and raincoats.
Around 1975, American suits started to resemble the slimmer European suit. This new model, named the quasi-European suit, featured padded shoulders, higher arm holes, a smaller waist, open patch pockets, and a small flare to the pants and jacket. In 1976, it became fashionable for men to wear velvet tuxedo jackets with more casual pants to formal events, and vests came back into vogue. It was this year that men's pants started to feature smaller flares or no flares at all. This continued into the 1980s.
In Brezhnev's Russia, used Western clothing, especially sheepskin coats and flared trousers, became readily available due to Detente. Previously, jeans had to be imported on the black market. Politburo members continued to wear the black, grey or brown suits and fur lined overcoats of the 1960s, with grey astrakhan caps.
By the late 1970s, most men and women were wearing sports clothing as everyday apparel. This was primarily based on tracksuits, jumpsuits, velour or terry cloth shirts (often striped and low-cut), sweaters, cardigans, sweatshirts, puffer vests, flare jeans, straight-leg jeans, and collared shirts, both long sleeve and short sleeve. Around this time it also became fashionable for men to leave their shirts untucked. This continued into the 1980s.
Late 1970s accessories included low-top sneakers, tennis headbands, puka shell necklaces, and wristbands.
All styles of clothing were affected by the disco style, especially those of men. Men began to wear stylish three-piece suits (which became available in a bewildering variety of colours) which were characterized by wide lapels, wide legged or flared trousers, and high-rise waistcoats (US vests). Influenced by the popularity of aviator sunglasses in disco many wore glasses in the shape of aviators but with clear prescription lenses. Neckties became wider and bolder, and shirt collars became long and pointed.
During the early 1970s, the Northern soul and suedehead subcultures emerged in response to the psychedelic rock, Bohemian and hippie influences on the mainstream peacock mod subculture. Seeking a return to the music and fashions of the mid and late 1960s, members of these British subcultures wore Ben Sherman shirts, slim fit pants, tank top sweaters, vintage striped boating blazers, basket weave brogue shoes, black leather driving gloves, pork pie hats, Irish walking hats, and loose fitting Oxford bags for dancing. Secondhand mod clothing was also worn by many early garage punk and protopunk bands from the mid-70s onwards, especially the Flamin Groovies and Television due to its cheapness and wide availability. The release of the cult film Quadrophenia in 1978 sparked a large scale Mod revival among a younger generation of Lambretta and Vespa scooter enthusiasts influenced by punk rock and new wave music.
Due to a resurgence in nostalgia for the 1950s, the Teddy boy subculture made a comeback in the UK during the early 1970s. A similar rockabilly subculture known as Raggare underwent a revival in Sweden and Germany at the same time. Brothel creepers, drainpipe trousers, bolo ties and drape jackets were popular, typically with contrasting velvet collars and cuffs. Influenced by glam rock bands like Showaddywaddy, the Teds of the 1970s wore bright colors like electric blue, leopardskin or brocade waistcoats, and styled their hair with hair spray rather than brylcreem. In the late 1970s the Teds became the arch enemies of the punk subculture and Mod revivalists.
One of the most ubiquitous subcultures of the early and mid 1970s were the hippies. Typically middle class youths from Britain, America and New Zealand, these practitioners of free love favored a unisex look with long hair, flower power motifs, bell bottoms, sandals, and maxi skirts for the girls. Although glam rock largely supplanted the hippie movement in urban areas, offshoots such as the New Age travellers, Freak scene, Nambassa housetruckers and surfers continued until the 1990s.
During the early and mid 1970s members of the hard rock and heavy metal subculture favored typical hippie fashions like earth tones, tie dye T-shirts, and flared trousers of the type worn on stage by Jethro Tull or Led Zeppelin. This changed later in the decade, when many fans of Judas Priest, AC/DC and Meat Loaf began imitating the clothing of greasers, outlaw bikers, punk rockers and leathermen due to the association of such fashions with toughness. Typical heavy metal fashions in the UK, US and Australia included faded jeans, leather battle jackets, combat boots, studded belts, black leather jackets like the Schott Perfecto, and iron crosses frequently pilfered from their father's war souvenirs. Beards, moustaches and shoulder length hair were popular among men, while female metal fans sometimes imitated the brightly dyed, teased and backcombed punk hair of the late 1970s.
Urban African American youths frequently imitated the paramilitary uniforms of the Fruit of Islam, anti-colonialist African insurgents, and early 1970s black power groups like the Black Panthers. The Panthers' French counterparts called themselves the Del Vikings and Black Dragons, listened to rockabilly and punk rock, and fought against neonazi skinheads during the late 70s and early 80s.
Typical clothing included black leather jackets, vests, black driving gloves, leather peaked caps embellished with chains and metal studs, African folk costume like the fez or dashiki, traditional African colors like black, red, yellow or green, Ancient Egyptian jewelery such as the Ankh, gold chains, and railroad stripe pants for women. Due to the poverty in the ghetto, black children often wore secondhand clothing that was too big or too small, inspiring the baggy pants worn as hip-hop fashion during the 1980s and 1990s. In the UK, US and Jamaica Afro hair and dreadlocks became popular from 1972-76 among Motown, soul music and reggae fans of both sexes, as a rejection of the straightened hairstyles associated with white culture.
Following the recession of 1973, the zoot suited pachuco look declined due to its association with comedic Blaxploitation pimps. Instead, working class Mexican youths began dressing in a more casual style inspired by the clothing of prison gangs, left wing counterculture groups like the Brown berets, the antiwar movement, and the 1960s greaser subculture. White T shirts, winklepickers, double denim "Texan tuxedos," ringer Tees, plaid shirts, Aviators, black wool tuques, brown berets, green military surplus field jackets, sheepskin coats, Castro hats, untucked white shirts, and khaki Dickies pants were commonly worn by these cholos and chicanos, together with slicked-back pompadour hairstyles and large sideburns.
Punk rock was a musical genre that greatly influenced fashions for both sexes in the late 1970s. It emerged in London, and spread into the United States. Street punk fashion generally consisted of ripped clothes, black turtlenecks, drainpipe jeans, tight leather pants, leather jackets (often embellished with chains, spikes, studs, and paint), jackets and shirts with taboo images or messages, dog collars, safety pins, kilts, and Doc Martens. A tamer, less threatening version of the Punk style called "New Wave", which featured jagged hems on clothing and more elaborate embroidery went mainstream in the early 1980s.
Throughout much of the decade, women and teenage girls wore their hair long, with a centre or side parting, which was a style carried over from the late 1960s. Other hairstyles of the early to mid-1970s included the wavy "gypsy" cut, the layered shag, and the "flicked" style, popularly referred to as "wings", in which the hair was flicked into resembling small wings at the temples. This look was popularised by the stars of the television series Charlie's Angels. Blonde-streaked or "frosted" hair was also popular. In 1977, punk singer Debbie Harry of Blondie sparked a new trend with her shoulder-length, dyed platinum blonde hair worn with a long fringe (bangs).
In the 1970s, making one of the popular hairstyles for a woman didn't take a lot of time. These hairstyles, including Afro hairstyle, Shaggy Hairdo and Feathered hair (then known as "Farrah Fawcett hairstyle") were said to be perfect when you're on-the-go and would still keep your expressive style in-check. For Blacks in the United States and elsewhere, the afro was worn by both sexes throughout the decade. It was occasionally sported by whites, especially Jewish Americans as an alternative to the uniform long, straight hair which was a fashion mainstay until the arrival of punk and the "disco look" when hair became shorter and centre partings were no longer the mode.
The most iconic women's hairstyle of the 1970s is arguably the Farrah Fawcett hairstyle. Popularized in 1976, the hairstyle was heavily imitated by many American women and girls. It incorporated waves, curls, and layers. The style mostly worn with bangs, but could also be worn with a side parting. To make it even more stylish, women and girls would frost their hair with blonde streaks.
Continuing on from the 1960s, the ducktail and Pompadour hairstyle (then known as the "Elvis Presley hairstyle") were popular among young Italian-American and Mexican-American men in big cities like New York. Large quantities of grease or brylcreem was normally used to keep the hair in place. The early and mid 1970s generally featured longer hair on men, as way of rebelling against the social norms of years past. Sideburns were also worn around the same time. Some of the most popular hairstyles for men include "Long and Luscious" hairstyle, mod haircut, and the "buzzcut" hairstyle popularised by action heroes like Steve McQueen. In the late 1970s, men went for the chop, ranging from crew cuts, to buzz cuts, to a shag. This was mainly done for an athletic look, and sideburns and facial hair went out of style.
Cosmetics in the 1970s reflected the contradictory roles ascribed for the modern woman. For the first time since 1900, make-up was chosen situationally, rather than in response to monolithic trends. The era's two primary visions were the daytime "natural look" presented by American designers and Cosmopolitan magazine, and the evening aesthetic of sexualized glamour presented by European designers and fashion photographers. In the periphery, punk and glam were also influential. The struggling cosmetics industry attempted to make a comeback, using new marketing and manufacturing practices.
Images representing the fashion trends of the 1970s.