Nationality Argentinian, italian Role Author Name Angel Faretta | Genre Fiction, essay Period 1980–2009 | |
Influenced by Jorge Luis Borges, Adolfo Bioy Casares, Virgil Similar People Jorge Luis Borges, Adolfo Bioy Casares, Virgil, Silvina Ocampo, Seneca the Younger | ||
Cinerama charla con ngel faretta
Ángel Faretta (born 21 April 1953) is an Argentine author of his own theory of cinema, film critic, writer, poet and teacher. Since 1980, he has been published in various media, testing, analysis articles and reviews on art, literature and cinema. For many followers of his theory he is "the person who most reflected on the cinema in Argentina, and its theoretical more lucid, original and influential, true to his thinking and away from any fashion." About Faretta, the film critic Fernando Regueira wrote:
Contents
- Cinerama charla con ngel faretta
- ngel faretta el simbolismo de la nave clase 1
- Biography
- Collaboration magazine
- Seminars
- Theory
- Books
- References
"Faretta is the only thinker with a Theory of Cinema (Aesthetics and general) in our own homeland, and we fear much in our Spanish language throughout."
Regueira Fernando
ngel faretta el simbolismo de la nave clase 1
Biography
Angel Faretta was born in Buenos Aires, Argentina. He attended primary and secondary education in the priest-run Catholic school Calasanz Piarists Caballito. According to Faretta, "in those years, the secondary, at least there is now a full education. Latin, theology, philosophy, literature, and especially the interaction was with most of the teachers."
Acknowledges in its train a series of anonymous individuals and teachers, as Horacio Alvarez Boero, scholar in American cinema classic. "When we chatted with Samuel Fuller, as he stares and says:" Horace, how many years you lived in Hollywood without you knowing. "
Another focus of their training would be self-learning, where Faretta includes: "... the bookshops. And the back of bookshops. And the bars, cherries, the whiskerías like the one Tania had in front of the Teatro Cervantes ... How many years now I repeat: "Those that have not lived in Argentina, in Buenos Aires in those years will never know the sweetness of life."
Collaboration magazine
Faretta began to publish several magazines. He collaborated in publications such as the legendary comic magazine and the magazine Minotauro and Fierro.
Seminars
Parallel to his activities as a journalist and film critic, he gave courses, lectures and seminars on "romance and romantic-minded," "Film and evil," "Introduction to fantasy," "The traditional symbolism," " On the myth and its relationship with art", always showing his own theory.
He founded and directed the school Aquilea name taken from the legendary Buenos Aires, called Aquilea by Jorge Luis Borges and Hugo Santiago in the movie Invasión of Hugo Santiago.
Theory
His theory of cinema was defined as "a theory of modernity and the modern world through film." Is expressed in his books "The concept of cinema" and notes "Spirit of symmetry." Faretta establishes a line of continuity between the relationship was established between the Renaissance artist and patron, which happened during the golden age of cinema between the "system of education" (Warner Bros., Universal, Paramount, Metro, 20th Century Fox, etc.) and directors: an equivalence with the idea on uncultivated despots with money "and" sensitive artists. Based on the origin of the Austro-Hungarian Empire dominated many of those pioneers of cinema, Faretta genesis in the most conclusive reason for much of his theory: "film, as an expression of the specific look and contemporary knowledge, was able developing aesthetic expression and art but not be supported in designing and liberal atheist in the world. "
According to Marcelo Zapata for Faretta: "Austro-Hungarian immigrants that Hollywood was a true" alien "religion in the body of a political power that boasts only thanks to the tinsel of fame, money and glamor, who, at heart, a contradiction. Of course, this design, film (in the traditional sense) has been lost, without replacement, at its most authentic artists."