Founded 1972 | ||
Similar Woody Guthrie Center, Oklahoma Jazz Hall of Fame, Grand Coulee Dam | ||
The Woody Guthrie Foundation, founded in 1972, is a non-profit organization which formerly served as administrator and caretaker of the Woody Guthrie Archives. Dedicated to the preservation and dissemination of information about Guthrie's vast cultural legacy, the Woody Guthrie Archives houses the largest collection of Woody Guthrie material in the world. The archives opened to the public in New York City in 1996. The archives were subsequently moved to the new Woody Guthrie Center in Tulsa, Oklahoma in 2013, after being acquired by the Tulsa-based George Kaiser Foundation. The Center officially opened on April 27, 2013.
The Woody Guthrie Center features, in addition to the archives, a museum focused on the life and the influence of Guthrie through his music, writings, art, and political activities. The museum is open to the public; the archives is open only to researchers by appointment. The archives contains thousands of items related to Guthrie, including original artwork, books, correspondence, lyrics, manuscripts, media, notebooks, periodicals, personal papers, photographs, scrapbooks, and other special collections.
On September 6, 2007, Woody Guthrie Publications, Inc., in cooperation with the Woody Guthrie Foundation released The Live Wire: Woody Guthrie in Performance 1949, accompanied by a 72-page book describing the performance and the project. Paul Braverman, a student at Rutgers University in 1949, made the recordings himself using a small wire recorder at a Guthrie concert in Newark, New Jersey. On February 10, 2008, the release was the recipient of a Grammy Award in the category Best Historical Album.
The Foundation was previously based in Brooklyn, New York and directed by Woody Guthrie's daughter Nora Guthrie. Nora Guthrie opened up the Foundation's archives to musicians of many types, who she encouraged to write and record music for the many hundreds of Woody Guthrie's written lyrics. Following Woody Guthrie's death, many of these lyrics were without surviving melodies, as Woody did not write musical notation and never recorded (or taught anyone) the majority of his original compositions.
In 1995, Nora Guthrie had invited alternative folk-rocker Billy Bragg to select some lyrics from the archive to be set to music and then to be recorded commercially. Bragg then invited the alt-country band Wilco to help complete the project. Wilco and Bragg released 2 acclaimed "Mermaid Avenue" albums in 1998 and 2000, using Woody's lyrics set to their own musical compositions. Also, a film documentary Man in the Sand. was released documenting not only the making of the Mermaid Avenue albums but also Bragg's exploration of Woody Guthrie's origins in hometown Okemah, Oklahoma. Many other collaborative projects by others have followed.
Posthumous Collaborations
Interestingly, one of the lyrics chosen by Billy Bragg (appearing in the second volume of Mermaid Avenue), "All You Fascists", has subsequently surfaced in a recording of a 1944 radio program "The Martins and the McCoys". Guthrie appeared in the program with other folk singers and can be heard singing "All of You Fascists Bound to Lose", set to his original melody which is of course substantially different from Bragg's melody. Also, Billy Bragg subsequently used the words of the chorus of "All You Fascists" in a completely different original song "All You Fascists 2010", which can be heard on his 2011 mini-album "6 Songs from Pressure Drop".
Given the quantity of these posthumous collaborations, it was perhaps inevitable that there would be some lyrics set to more than one melody. For instance, track 3 on the Wasserman album uses the same set of lyrics as track 3 on the Farrar album (as well as track 3 on the Autumn Defense album). Track 2 on the Brooke album uses the same set of lyrics as track 5 on the third volume of "Mermaid Avenue". The Woody Guthrie Publications website lists Jonatha Brooke's version of "You'd Oughta Be Satisfied Now" as a "derivative work".