Released 1966 Length 25:35 Go with the Ventures (1966) Wild Things!
(1966) | Genre Instrumental rock Label Dolton Wild Things!
(1966) Guitar Freakout
(1967) | |
Wild Things! is a 1966 studio album by the Ventures, released on Dolton Records BLP-2047 (mono) and BST-8047. A 4-track reel-to-reel release was subsequently issued by Music Tapes, Inc. The album is noted for its marked turn towards a heavier sound in comparison to earlier Ventures releases, and the standout track Wild Child which was prominently featured as a sample in Start the Commotion by The Wiseguys.
Contents
The recording
Recorded directly after completing a tour of the central United States in the summer of 1966, the album presents The Ventures updating their sound to a "mod, go-go" style. Allmusic notes that the album is consistently "hard-edged" thanks to fuzztone Mosrites, and that the original instrumentals are better than throw-a ways. Leading off the album is a cover of The Troggs' Wild Thing. The track features a "vocal" by Don Wilson, doing an impersonation of Peter Lorre reciting parts of the original lyrics, to humorous effect. The next track, Fuzzy and Wild, is the first of the original instrumentals, each of which included the word "wild" in the title. Wild and Wooly was not a Ventures original, but was originally called Murfreesboro by its composer, Danny Hamilton. Perhaps the oddest title belongs to How Now Wild Cow, a play on the phrase of elocution suggested by one of Mel Taylor's sons.
Wild Child
The track Wild Child, featuring a "catchy guitar loop", was prominently featured in The Wiseguy's 1999 song Start the Commotion. The Wiseguy's recording was subsequently used in a Mitsubishi television commercial, and in a promo for the Ally McBeal show, and this exposure ushered in a new chapter into the Ventures career. Having been alerted to the use of their recording, The Ventures confirmed with EMI that they owned rights to their composition, and subsequently received two-thirds of the writing royalties for "Start the Commotion". Additional income for The Ventures came in the form of Synchronization rights from the song. The Ventures at this point realized that their back catalog, as well as performing new music specifically designed for use in multimedia productions, could produce a significant source of additional income.
Reception
Wild Things! first appeared on the Billboard Top Albums chart on September 17, 1966. It maintained a position on this chart for a sum of 26 weeks, achieving a top position of #33. Allmusic gives a mildly favorable rating to the album, but compares it unfavorably to some earlier Ventures records.