Whats Opera, Doc

Plot

The screen pans on the silhouette of a mighty Viking (presumably Thor) arousing ferocious lightning storms, but then zooms in to reveal that it is only Elmer Fudd (as the demigod Siegfried). Elmer sings his signature line "Be vewy qwiet, Im hunting wabbits" (in recitative), before he finds rabbit tracks and arrives at Bugs Bunnys hole. We watch as Elmer jams his spear into Bugs hole to "Kill the wabbit! Kill the wabbit! Kill the wabbit!" Bugs sticks his head out of another rabbit hole, and, apparently appalled, sings his signature line "Whats up, doc?" to the theme of Siegfrieds horn call from the Ring Cycle. He asks Elmer how he will kill the rabbit, then taunts Elmer about his "spear and magic helmet". This prompts a display of Elmer-as-Siegfrieds "mighty powers", set to the overture of The Flying Dutchman, which causes lightning to strike the tree next to Bugs. At that, Bugs flees, Elmer realizes "That was the wabbit!", and the chase begins.

Suddenly, Elmer is stopped in his tracks at the sight of the beautiful Valkyrie Brunnhilde (Bugs in an obvious disguise), riding in grandly on an enormously fat horse (in Chuck Amuck: The Life and Times of an Animated Cartoonist, director Jones notes that the production team "gave the horse the operatic curves we couldnt give Bugs"). "Siegfried" and "Brunnhilde" exchange endearments, set to the "Pilgrims Chorus" theme from Tannhauser as orchestrated in the operas overture.

After the usual "hard to get" pursuit they perform a short ballet (based on the Venusberg ballet in Tannhauser), capping it off with the duet "Return My Love" set to another section of the Tannhauser overture as the pair meet at a gazebo. Bugs true identity is suddenly exposed when his headdress falls off, enraging Elmer. Bugs yanks Elmers helmet down over his head and uses it as a chance to escape, discarding his disguise. A crescedo drum roll is playing while Elmer struggles to fix his helmet. When Elmer puts his helmet into the right position, the "Ride" overture plays once again and the white gazebo turns red (reflecting Elmers anger), resolving to himself "Ill kill the wabbit!" prompting him to command fierce lightning, "typhoons, huwwicanes, earthquakes" and, finally, "SMOG!!!" (a word Elmer screams which was not done by Bryan, but by Blanc) to "stwike de wabbit!" while music from The Valkyries plays in the background.

Eventually, the ensuing storm tears apart the mountains where Bugs has fled. Elmer triumphantly rushes to see his victory, but upon seeing the bunnys seemingly lifeless body, which is strangely intact, Elmer immediately regrets his wrath and tearfully carries the bunny off, presumably to Valhalla in keeping with the Wagnerian theme, per Act III of The Valkyries (although the music again comes from the overture to Tannhauser). Bugs suddenly raises his head to face the audience and remarks, "Well, what did you expect in an opera? A happy ending?", ironically undoing the intended sad conclusion. The Merrie Melodies end title card then appears with all the words already there.

This cartoon marks one of only three times that Bugs Bunny is defeated by Fudd. The other two are Rabbit Rampage and Hare Brush. This is also the only one of the three where Fudd shows regret for defeating Bugs.

Wagners music

When presented in the 1979 compilation The Bugs Bunny-Road Runner Movie, Bugs Bunny claims that the short was the whole of Wagners 17-hour Opera Cycle "Der Ring des Nibelungen" (The Ring of the Nibelung, which he mispronounced as "The Rings of Nibble-lung" in his Brooklynese accent), condensed into only 7 minutes. He also pronounced Richard Wagner the way it looks (wag-ner), instead of Rikard Vagner. Besides the second opera of Ring, Die Walkure (The Valkyrie) and the third opera of the Ring, Siegfried, other Wagnerian music present in the cartoon comes from Tannhauser and The Flying Dutchman. Specific excerpts include:

Awards

The cartoon is widely regarded as Chuck Jones’ masterpiece, and many film critics, animation fans and filmmakers consider it to be the greatest of all the cartoons Warner Bros. released. It has topped many Top Ten lists of the greatest animated cartoons of all time. It was rated by a panel of over 1000 animators in Jerry Becks 1994 book The 50 Greatest Cartoons: As Selected by 1,000 Animation Professionals as the #1 greatest cartoon of all time.

In 1992 it became the first cartoon short to be deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress, and was selected for preservation in the National Film Registry. Duck Amuck and One Froggy Evening were later inducted into the registry, making Chuck Jones the only animator with three shorts thus recognized.

A magnum opus

Whats Opera, Doc? required about six times as much work and expense as any of the other six-minute cartoons his production unit was turning out at the time. Jones has admitted as much, having described a surreptitious re-allocation of production time to complete the short. During the six minutes of Whats Opera, Doc?, Jones lampoons:

Michael Maltese devised the story for the cartoon, and also wrote lyrics to Wagners music to create the duet "Return My Love." Art director Maurice Noble devised the stylized backdrops. The cartoon drew upon previous Warner studio work: Maltese originated the concept of Bugs in Valkyrie drag riding a fat horse to the Tannhauser Pilgrims Chorus in the suppressed 1945 wartime cartoon Herr Meets Hare, directed by Friz Freleng.

Availability