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Westminster is a printing and display typeface inspired by the machine-readable numbers printed on cheques and designed by Leo Maggs.
In the 1960s, Leo Bragg was working at the Hazell Sun Group’s design studio in Covent Garden, London. At that time, he was commanded to create a futuristic style title for an article of About the House (the magazine of The Friends of Covent Garden Opera House). Bragg based the letters of that title on the MICR (magnetic ink character recognition) system, E-13B, used on bank cheques. He then continued to design the rest of the letters of the alphabet in his spare time, basing their proportions on that of the Gill Sans typeface.
The MICR E-13B font was designed for automated reading by a very simple magnetic reader in the early days of automatic character recognition. The weight of strokes in the characters can be recognised as "light" or "heavy" by a simple circuit and these patterns then map directly to the bit patterns of a computer character set. This made the characters practical to read before 'smart' OCR, but limited the length of the character set. E-13B has only 14 characters: the numeric digits and a few control codes. None of the alphanumeric 'computer' typefaces like Westminster could be read magnetically.
The work was presented to Letraset, but it was Robert Norton, founder of the Photoscript Ltd photo-typesetting company, who decided to produce it. The font was named by Norton and, according to Microsoft, it received its name from the then Westminster Bank Limited (now NatWest) from the United Kingdom, that helped fund its production.
Since its design, the typeface has been strongly associated with computers—especially in the late 1960s and early-to-mid-1970s. It is used frequently to indicate computer involvement in television series, films, books, and comics.