Touch (TV series)

Plot

Touch centers on former reporter Martin Bohm (Sutherland) and his 11-year-old son diagnosed as autistic, Jake (David Mazouz). Martin's wife died in the World Trade Center during the September 11 attacks, and he has been struggling to raise Jake since then, moving from job to job while tending to Jake's special needs. Jake has never spoken a word, but is fascinated by numbers and patterns relating to numbers, spending much of his days writing them down in notebooks, his touch-screen tablet and sometimes using objects (for instance popcorn kernels).

Season 1

Jake's repeated escapes from special schools put Martin's capacity to raise the child in question, and social worker Clea Hopkins (Gugu Mbatha-Raw) arrives to perform an evaluation of Jake's living conditions. Martin, worried that he might lose his son, attempts to communicate with him, but the boy only continues to write down a specific pattern of numbers. This leads Martin to discover Professor Arthur Teller (Danny Glover), who has seen and worked with cases like this before, claiming that Jake is one of the few who can see the "pain of the universe" through the numbers. Teller also alludes to the interconnectivity of humanity as envisioned by the Chinese legend of the red string of fate, whereby actions, seen and unseen, can change the fate of people across the globe for the better. Martin realizes that Jake is trying to tell him to follow the numbers. On subsequent days, Martin does as Jake wants, each time finding his actions improving those touched by the numbers, though his devotion to following Jake's message puts his evaluation with social services at risk.

A larger overarching plot involves Teller's work. Teller himself had seen the numbers during a stroke, and has been fascinated with them since. The sequence of numbers that Jake presents falls into what Teller claimed was the Amelia Sequence (later known as the God Sequence), based on Amelia Robbins, who was one of his former child patients. Teller later is found dead after attempting to locate Amelia at the same facility where Jake spends his days. Martin discovers his old office, rented out from a Jewish synagogue, where he performs further research on the Amelia Sequence. He also learns that Teller's office mate, Avram (Bodhi Elfman), recognizes Jake as one of the 36 Righteous Ones. Meanwhile, Clea learns that an organization called Aster Corps, which provides Jake's school with modern equipment, seems intent on studying Jake's abilities as well as having ties to Teller's previous work with Amelia. When Aster Corps attempts to force the state to relinquish Martin's custody rights, Martin, with Clea's help, is able to sneak Jake out and leave the city. Through Jake's directions, they end up meeting Amelia's mother, Lucy (Maria Bello), on a pier in Los Angeles.

Season 2

Martin, Jake, and Lucy gain help in their quest from news syndicate BreakWire and its owner, Trevor Wilcox (Greg Ellis). Jake starts to talk to Amelia in their telepathic world. They also encounter Calvin Norburg (Lukas Haas), a former Aster Corps genius who is trying to heal his brain-damaged brother, and a murderous former priest, Guillermo Ortiz (Saïd Taghmaoui), who is determined to eliminate all of the Righteous 36 in order to restore the natural order of the universe, with God on top. After Lucy is killed on the orders of Aster Corps CEO Nicole Farington (Frances Fisher), Martin discovers that Farington plans to capture Jake and Amelia in order to decipher the God Sequence and use its predictive qualities to save the failing company.

The season ends with Amelia losing her special powers and Jake being secretly marked as the special one of the 36 by the rabbi. Calvin loses his sick brother after all his efforts, and Martin becomes the sole protector of the 36. The God Sequence is finally fully revealed.

Main

Recurring cast

Production

Touch season one was shot at The Culver Studios in Culver City, California, and on location in Los Angeles. Season two was filmed at Fox Studios in Century City, Los Angeles.

Post-production

"Three Little Birds", sung by Kayla Graham (Karen David), was released as a soundtrack single, on iTunes by 20th Century Fox TV Records on February 28, 2012.

Critical reception

The first season of the show was met with "generally favorable" reviews, and obtained a Metacritic score of 63/100. The second season received "mixed or average" reviews with a Metacritic score of 60/100.

Michael Landweber of PopMatters called the first episode "stunningly effective", and said that "its mix of spirituality and science, familial and global struggles, is galvanising." He also noted that "The boy's narration, unnervingly matter-of-fact about the nature of the universe, takes on more power when he reveals that in 11 years, he has never spoken a word." In a review for the New York Post, Linda Stasi said "If you can't get enough of number sequences and universal cylindrical patterns that constantly repeat [...] then for sure you'll repeat the pattern of watching Fox's new show." She added, "Yes, the show is intriguing, and it's great to have Sutherland back on TV. But frankly, it's awfully complicated." Lori Rackl of the Chicago Sun-Times said the show "operates on the mind-blowing premise that people around the world are linked to one another and their lives intersect—with potentially major repercussions". She finished the review saying it "delivers a suspenseful ride around the world, peppered with some tear-jerking moments. The bar has been set high. Here's hoping "Touch" continues to reach it." Kiefer Sutherland's performance also gained praise, with Landweber saying "Sutherland, however, plays the part with such a combination of intensity and subtlety that we are drawn deep into Martin's suffering, and rather than judging him, we feel with him. Every trial is etched in his face. He imbued Jack Bauer with similar stoicism, but Martin seems less resilient, more distressed."

Verne Gay of Newsday called the second season "more fun," adding "you have plain old smashmouth elemental TV story devices—good guys, bad guys, evil corporations, a family unit, and a headlong rush toward the Truth, whatever that may be." The New York Times' Neil Genzlinger called the season "considerably darker and more complex," adding "The intricacies may make it harder for new viewers to crack the show without doing some catch-up watching, but they also make it far more absorbing." David Hinckley of the Daily News found two problems with the second season—"characters like popups in a video game" and "as the action ramps up, Jake's gift recedes." He added, "The show still has some interesting things happening, and there are worse things on TV than a fast-paced action drama."

Ratings

Touch debuted to over 12 million viewers in the pilot episode, with the next episode pulling in more than 11.8 million. But ratings fell sharply after that, and the season one finale garnered just 4.6 million viewers. After the first two episodes of season two, all of the remaining 11 episodes fell short of 3 million viewers, leading to the series cancellation.