Language Japanese Preceded by "Rashōmon" Original title "Hana" Translators Ivan Morris, Jay Rubin | Publication date January 1916 Originally published January 1916 Genre Short story Country Japan | |
Published in The Tokyo Imperial University student magazine Shinshichō Media type Print (Periodical and Paperback Similar Rashōmon, Kappa, Hell Screen, In a Grove, The Spider's Thread | ||
"The Nose" (鼻, Hana) is a satirical short story by Akutagawa Ryūnosuke based on a thirteenth-century Japanese tale from the Uji Shūi Monogatari. "The Nose" was Akutagawa’s second short story, written not long after "Rashōmon". It was first published in January 1916 in the Tokyo Imperial University student magazine Shinshichō and later published in other magazines and various Akutagawa anthologies. The story is mainly a commentary on vanity and religion, in a style and theme typical to Akutagawa’s work.
Contents
Translation
Multiple translators have published "The Nose" in English, the most recent by Jay Rubin and published by Penguin Group.
Plot summary
Zenchi Naigu, a Heian period Buddhist priest, is more concerned with diminishing his overly long, dangling nose than he is with studying and teaching the sūtras. He pretends to ignore his nose in fear it will be mentioned, and studies religious texts in a desperate attempt to find a person with a nose like his. When in private, he constantly checks his nose in a mirror, hoping for even the smallest amount of shrinkage.
One autumn, a disciple reveals he has learned a new technique to shrink noses from a friend, a Chinese doctor who has become a high-ranking priest at the Chōrakuji temple in Kyoto. At first, Naigu feigns disinterest, to appeal to the misconception that he is unconcerned with his nose, but eventually “gives in” to his disciple’s insisting. The disciple first boils the nose, then stomps on it, finally removing the beads of fat the treatment extracts from the nose. To Naigu’s satisfaction, the nose, once dangling past his chin, is now the size of a typical hooked nose.
Naigu, excited but nervous, sets about his weekly routines. He is surprised, however, to find the people he encounters laughing at him far more openly than they had before. Naigu becomes bitter and harsh, to the point where one disciple proclaims: “Naigu will be punished for treating us so harshly instead of teaching us Buddha’s Law”. People continue to laugh at Naigu for his vanity, until one day, Naigu wakes up, and to his relief and rejoicing, his nose has returned to its original length.
Major themes
Akutagawa explores the themes of vanity and egoism in "The Nose". Naigu’s vanity leads him to obsess only with his nose. This vanity eventually breeds disfigurement and a coldness from his peers, recognizing Naigu’s egotism taking precedence over his religious studies and teaching. Instead of his status as a renowned priest, Naigu views his nose as the source of how society will judge him. As is typical with Akutagawa, these inherently modern psychological themes are directly injected into ancient stories and myth.
Literary significance and reception
Akutagawa gained much of his initial fame from "The Nose", one of his earliest works.
After reading "The Nose", the renowned writer Natsume Sōseki sent a letter to Akutagawa, praising his work:
I found your piece ["The Nose"] very interesting. Sober and serious without trying to be funny. It exudes humor, a sure sign of refined taste. Furthermore, the material is fresh and eye-catching. Your style is well-published, admirably fitting.
References to other works
The story makes numerous references to the Buddhist scriptures, mentioning many characters from them, such as Mokuren, Sharihotsu, Ryūju, Memyō, and the Bodhisattvas It also makes reference to a Chinese story where the Chinese Shu Han emperor Liu Bei is said to have had long ears.