Completion date 1882 Artist Edward Burne-Jones Created 1870–1882 Genre History painting | Medium Oil on canvas Dimensions 91 cm x 1.97 m Media Oil paint | |
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Location Victoria and Albert Museum, London Periods Romanticism, Pre-Raphaelite Brotherhood Similar Pre-Raphaelite Brotherhood artwork, Oil paintings | ||
The Mill is an Aesthetic Movement, Renaissance-inspired oil on canvas painting completed by Edward Burne-Jones in 1882. It is a mysterious painting with no particular meaning. The painting's main feature is three women dancing in front of a mill pond on a summer evening, with a vague wooded landscape spanning the background. The Mill is currently in the Victoria and Albert Museum.
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Background
Edward Burne-Jones took twelve years to complete The Mill, starting work in 1870 and completing it in 1882. Shortly after its completion, the painting was displayed at an exhibition at the Grosvenor Gallery. The Mill was inspired by The Allegory of Good and Bad Government, a mural painted by Italian Renaissance artist Ambrogio Lorenzetti between 1338 and 1340.
Painting
The Mill is an oil on canvas painting. It is 91 centimetres (36 in) in height, and 197 centimetres (78 in) in width.
The Mill is a vague and mysterious painting with no particular meaning. It incorporates styles from the Aesthetic Movement and the Renaissance. In the painting, three women wearing simple, Renaissance-style aesthetic dresses are dancing in a garden on a summer evening. On the right of the dancing women, a musician of an indiscernible gender is standing under a loggia. A mill pond can be seen behind the women. On the other side of the pond, there are several nude men, who are presumably swimming. In the background is an unspecific landscape consisting of various designs and types of architecture.
The dancing women in the painting were modelled upon women known to Burne-Jones personally: from left to right, Aglaia Coronio, Marie Stillman, and Maria Zambaco. Aglaia was the daughter of Constantine Ionides, who, like Burne-Jones, was interested in art. Marie was a painter, and Maria was Ionides' granddaughter. At the time, Maria was Burne-Jones' mistress.
Ownership
Constantine Ionides bought the painting on 21 April 1882 for £905. It is currently housed in the Victoria and Albert Museum, in London.