Length 70:38 Artist Joe Harnell TV show The Incredible Hulk People also search for The Incredible Hulk | Language English Release date November 1999 Genre Score | |
 | ||
Released November 1999 (1999-11) (JHCD-02) Label Super Tracks Music Group Producer Joe Harnell; Ford A. Thaxton | ||
The Incredible Hulk: Original Soundtrack Recording is the licensed promotional soundtrack from the 1970s/1980s television series adaptation of The Incredible Hulk.
Contents
Album Information
This contains compositions by the series composer Joe Harnell which includes suites and compositions from the pilot film and from episodes Married, Homecoming, Prometheus, Ricky, Stop Susan Williams, and The Secret Empire. Also included is the disco version of the series theme which was heard in the episode Cliffhangers.
Track List
1. The Incredible Hulk: Main Title - version #1
2. Love Theme from The Incredible Hulk
The Incredible Hulk: The Pilot:
3. Gamma Ray Treatment
4. Growing Anger
5. First Hulk Out/Second Hulk Out
6. Growing Tension/Explosion/Hulk Rescue and Susan's Death
7. The Lonely Man Theme
Music from the Series:
8. The Incredible Hulk: Main Title - version #2
9. Married: The Wedding
10. Prometheus: Arrival at Project Prometheus
11. Ricky: Montage
12. Stop Susan Williams: Suite
13. Homecoming: Suite
14. The Secret Empire: Suite
15. Prometheus: Through The Floor/Hulk on the Rampage
16. Married: Prelude to Tragedy/Death Scene
17. Pilot: Graveyard Farewell-Lonely Man Theme Reprise
18. Theme from The Incredible Hulk (Disco Version)
Reception
The soundtrack received mixed reviews from critics in the music community. Christopher Coleman of TrackSounds gave it a 5 out of 10, citing the opening theme, "Homecoming: Suite", and "The Lonely Man" as unforgettable, while also stating that many of the other tracks are typical seventies fair that could easily fit into any other popular series of that time. Christian Clemmensen of Filmtracks felt that the score had aged badly giving the example of Harnell's work on V, and citing the elements, the seventies pop influence, don't really hold up after thirty years. Andreas Lindahl of ScoreReviews cited some cues as exciting and memorable, but felt the sound was far too small with a feeling that the action music was played by a tiny chapter music ensemble.