Episode no. Season 7
Episode 10 Featured music Michael Suby | Directed by Arlene Sanford Cinematography by Larry Reibman | |
Written by I. Marlene King & Maya Goldsmith Produced by Jonell Lennon
Hynndie Wali | ||
"The DArkest Knight" is tenth episode of the seventh season of the American mystery–thriller television series Pretty Little Liars. The installment was directed by Arlene Sanford and written by showrunner I. Marlene King and executive producer Maya Goldsmith. It premiered on August 23, 2016, on the cable network Freeform.
Contents
Plot
Spencer calls 911 to report Hanna's abduction. At the same time, Hanna uses a knife to get some of Noel's blood to send to a DNA lab. Aria, Alison, Emily, Mona, Caleb and Spencer team up with the Rosewood P.D. in order to find Hanna. Detective Furey leds the investigation and promises to Spencer to find both Hanna and Noel, as Spencer kisses him on the cheek, resulting in an awkward-yet-great situation. Mona and Caleb investigate on Jenna, and discover she doesn't know where neither Hanna nor Noel are. Mona receives a call from Hanna and secretly leaves to assists her friend. Mona convinces Hanna to return home. Afterwards, Hanna and Caleb argue about her actions and the two end up having sex. Alison reveals to Emily that she's pregnant of Archer's baby, and, vulnerably, they kiss. Mona threatens Jenna, stating she should get out of Rosewood. Aria looks forward to Ezra, but a newscast reveals that Nicole was found alive and, through the television, Aria sees Ezra and Nicole kissing.
The next morning, Spencer visits Toby to say goodbye, and the two end up kissing. Paige accuses Emily of being Alison's "puppet," though she didn’t know about the hookup or the pregnancy. Hanna is shocked when she discovers that Noel is not Mary Drake's second child, and reveals to her friends what she really had been up to. The Liars manage to distract the guards and drive to where Hanna kept Noel hostage only to find that he escaped. They find a text with an address and a 10 p.m. meeting time, stating they would swap the USB for the camera which Hanna filmed herself torturing Noel earlier. At the same time, Mona and Caleb stalk Jenna, but ends up finding out that Sydney was disguising as Jenna to take the attention of both. The Liars arrive at the address of the text, which lead the Liars into an abandoned school for the blind where Jenna, armed with a gun, attempts to murder the Liars with Noel. However, Noel, while attacking Hanna and Emily, trips on his axe and accidentally kills himself via decapitation. Jenna then shoots at the Liars and hits Spencer. Before Jenna could cause a bigger damage, she is taken down by Mary Drake.
Mary then reveals that she is Spencer's biological mother. Meanwhile, scenes reveal that, while living town, Toby's car went against a tree, leaving Yvonne's and his fate unknown. At the end, Jenna's unconscious body is dragged down by "A.D." to a van.
Cast
Following is the list of billed cast.
Main cast
Recurring cast
Production
The episode was written by the series' creator and main collaborator I. Marlene King with executive producer Maya Goldsmith. The title of the episode was revealed by King through Twitter on June 18, 2016. The table-read for this episode occurred on June 23, 2016, while the episode was filmed in June 2016 in and around Los Angeles, California, mostly on the backlot of the Warner Bros. studio lot in Burbank.
Music
The installment features songs "Waving Wild" by ARUM RAE, "Paradise" by Clementine & the Galaxy, "In the Light" by the Lumineers, and "In Too Deep" by the Sweeplings. The score is composed by Michael Suby, who works on the series since the premiere.
Ratings
The episode first aired in the United States on August 30, 2016, to a viewership of 1.33 million Americans, and garnered a 0.7 rating in the 18–49 demographic, according to Nielsen Media Research. Values from this episode had a notorious increase from the previous episode, "The Wrath of Kahn." This episode is rated TV-14. After Live +3 DVR ratings, the episode tied for the twenty-fifth spot in Adults 18-49, finishing with a 1.1 rating among adults aged 18–49, and aired to a total viewership of 2.10 million, placing in the seventeenth spot in viewership. This episode is rated TV-14.
Reviews
Louisa Mellor of Den of Geek commented, "I'm really looking forward to seeing what PLL looks like when it isn't holding anything back. I hope it's ridiculous, and beautiful, and subversive. Just like it's always been." Also on Season 7, she further added: "I complained that the show had lost its flavour, the things that made it different, and become a parody of itself. While I'm not quite retracting that argument, I do feel like season seven has been a marked improvement." G.A. Benitez of Cryptic Rock gave the episode a good review, calling it a "Mid-Season finale to die for." Mark Trammell of TV Equals praised the episode, stating, "While a little too much time was spend on the mid-season finale dealing with all the various ‘ships in play for my tastes, the ending confrontation more than made up for it, and if you’d told me we’d ever see the day that [the series] featured a full-on decapitation, I’d have told you that you were crazier than a roomful of Radley patients, and yet, here it was. You gotta love it."
On the other side, the episode received a unfavorable review from Paul Dailly, from TVFanatic, who labeled it as "one of the weakest finales to date." He added, "[the episode] was far from perfect. At this stage, a lot of the reveals felt cheap. We still have 10 episodes left, and we need answers before it's too late. Waiting until April is going to be a drag."