Kalpana Kalpana (Editor)

The Bear (opera)

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Written
  
1967

Composer
  
William Walton

Librettists
  
William Walton, Paul Dehn

First performance
  
3 June 1967

Language
  
English

The Bear (opera) 3bpblogspotcom1mckOtJbK18UV3Fhjce6sIAAAAAAA

Similar
  
Albert Herring, Peter Grimes, The Beggar's Opera

The Bear is the second of the two operas by William Walton, described in publication as an "Extravaganza in One Act". The libretto was written by Paul Dehn and Walton, based on the play of the same title by Anton Chekhov (which is also sometimes translated into English as The Boor).

Contents

Walton received a commission from the Koussevitzsky Foundation in 1958, and he dedicated the opera "to the memory of Serge and Natalie Koussevitzky". He began composing in 1965 when the Aldeburgh Festival in England requested an opera from him. The Bear was first performed at the Jubilee Hall, Aldeburgh on 3 June 1967.

The opera is regarded as having "enjoyed more success and popularity than its larger-scale predecessor, Troilus and Cressida [......] because its witty parodies are in the manner of [Walton's 1922] Facade" and the librettists' ability "to emulate Chekhov's caricatures of the three main characters" are also successful.

Synopsis

Place: The drawing room of Yelina Ivanovna Popova’s country house Time: Around 1888

Popova is a widow, remaining faithful to the memory of her late husband, Popov. Her servant, Luka, remarks upon her affected sorrow. Smirnov, one of Popov's creditors, appears. During the course of the story, it becomes clear that Popov was promiscuous and unfaithful to his wife. Smirnov and Popova begin to quarrel, to the point where both aim loaded pistols at each other. However, neither can fire, as they have fallen in love. As the opera ends, Luka looks on in disbelief at the new lovers.

Roles

In contrast with Walton's previous opera Troilus and Cressida, which used a large cast, full orchestra and chorus, The Bear is deliberately minimal in its vocal and instrumental forces. The opera uses 3 singers and a chamber orchestra.

Instrumentation

  • Woodwind
  • flute (doubling piccolo)
  • oboe (doubling English horn)
  • clarinet (doubling bass clarinet)
  • bassoon
  • Brass
  • French horn
  • trumpet
  • trombone
  • Percussion
  • timpani, side drum, tenor drum, bass drum, triangle, tambourine, cymbals, suspended cymbal, gong, jingles, 3 wood blocks, whip, rattle, xylophone, vibraphone, tubular bells (in F-sharp and C), crotales, bongos
  • Keyboard
  • piano
  • Strings
  • first violin, second violin, viola, cello, double bass (parts may be doubled)
  • harp
  • Recordings

  • 1967: Monica Sinclair, John Shaw, Norman Lumsden; English Chamber Orchestra; James Lockhart, conductor. Audio CD: EMI Classics, Cat: ?? . Original cast recording.
  • 1982: Daphne Harris, Gregory Yurisich, Noël Mangin; Melbourne Symphony Orchestra; Vanco Cavdarski, conductor (analogue recording) Audio CD: Chandos, Cat: ABR 1052.
  • 1993: Della Jones, Alan Opie, John Shirley-Quirk; Northern Sinfonia; Richard Hickox, conductor. Audio CD: Chandos, Cat: #9245
  • References

    The Bear (opera) Wikipedia