The Symphony No. 6 of Roger Sessions, a symphony written using the twelve-tone technique, was composed in 1966. It was commissioned by the state of New Jersey and the New Jersey Symphony Orchestra. The score carries the dedication: "In celebration of the three hundredth anniversary of the state of New Jersey".
Contents
History
Sessions began composing the symphony in the summer of 1965 while traveling in South America, and completed it at Tanglewood in 1966. It is the first of a trilogy of symphonies, composed in rapid succession, which Sessions associated with the Vietnam war. The premiere was a disaster, with the finale still incomplete and the first movement played as a finale to make up for this; it was given its first complete performance and its New York premiere by the Juilliard Orchestra conducted by José Serebrier on 4 March 1977. It was published by 1976. The score bears the copyright year 1975.
Instrumentation
The symphony is scored for three flutes, three oboes, four clarinets, three bassoons, four horns, two trumpets, three trombones, tuba, timpani, percussion, piano, harp, and strings.
Analysis
The symphony has three movements:
- Allegro
- Adagio e tranquillo
- Allegro moderato
Andrea Olmstead describes all of Sessions's symphonies as "serious" and "funereal".
Richard Swift describes the second movement as "lofty" and ascribes its "profundities to what are essentially simple processes that unwind with a sense of great spaciousness".