Name Sophia Schroder | ||
Sophia Schroder (Stockholm, 1712 – 29 January 1750) was a Swedish soprano, active as a concert vocalist at the royal orchestra, the Kungliga Hovkapellet, at the royal Swedish court, the first of her gender to have been officially given such a position.
Sophia Schroder was born in Stockholm to German immigrants. On 26 October 1726, females were formally allowed to be employed at Kungliga Hovkapellet by a new direction from the monarch, although females had in fact unofficially been active at the Hovkapellet starting since Maria de Croll in 1702. The same year females were officially admitted, Schroder and her colleague Judith Fischer were formally employed as vocalists, and the following year, they replaced the two boys previously serving as sopranos. Together, they became historical as the first of their gender to have been officially employed in the then two-hundred-year-old history of the royal orchestra. They were additionally the first official female court singers at the Swedish court since Anne Chabanceau de La Barre. Both Schroder and Fisher had in fact been active as vocalists at the orchestra before they were officially hired.
Sophia Schroder was a court singer, and performed for the royal court at various occasions as well as at the performances of the orchestra. From 1731, the royal orchestra also performed at public concerts at Riddarhuset in Stockholm. She was a student of Anders von Duben, Casper Gottlob Grunwaldt, Frans Hindrich Meyer, Johan Helmich Roman, Conrad Arnoldi, and Jacob Dedering. Anders von Duben gave her a high recommendation as a student in the musical science.
Sophia Schroder remained unmarried and kept her position as vocalist until her death in 1750. When her colleague Judith Fisher left the orchestra after her marriage in 1740, she was replaced by Schroder's sister Gustaviana Schroder. They were followed by more women in the orchestra during the age of liberty. In 1751, two female vocalists from the royal orchestra, Hedvig Witte and Cecilia Elisabeth Wurzer, performed at the burial of King Frederick I of Sweden.