7 /10 1 Votes
3.7/5 Barnes & Noble | 3.4/5 Goodreads Originally published 2004 Genre Fiction | |||||||||||||||||||||||||||||||||
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Similar Julian Fellowes books, Fiction books | ||||||||||||||||||||||||||||||||||
Snobs is a novel written by Julian Fellowes. It is Fellowes' debut novel and was first published in the UK in 2004. It centres on Britain's modern aristocracy and the courtship and marriage of Charles, Earl Broughton, and Miss Edith Lavery. It is written from the perspective of a male character (without name) who bears more than a passing resemblance to Fellowes himself.
Contents
Plot summary
Edith Lavery is a middle class single woman who feels she has reached a time in her life when the only chance of riches, fame and success is to marry a rich man. Her parents, especially her mother, have spent most of Edith's life trying to make her respectable to the upper classes and are both extremely glad when she announces her courtship and engagement to the bumbling but kind-hearted Charles Broughton, the son of the Marquess of Uckfield.
The engagement is not looked upon favourably by Charles' mother, the Marchioness of Uckfield ('Googie' to her friends), or by many in Charles' 'set'. His friends and relatives frequently mock Edith and attempt to 'catch her out' as an alien to the aristocracy. Her greatest enemy of all, ironically, is Eric Chase, husband of Lady Caroline Chase (Charles' sister), who comes from a similar background to Edith herself.
After the couple marry they honeymoon in Majorca in Spain and cracks already begin to form in the marriage. Charles bores Edith and Edith puzzles Charles. Back at the family seat of Broughton Hall, Edith is tempted by Simon Russell, an actor who is filming scenes for a period drama at Broughton with the story's narrator. She embarks on an affair with Russell which leads her to eventually very nearly divorce Charles.
She returns to the Broughton fold upon news of her being pregnant. She accepts Charles for who he is and they live "happily enough".
Characters
Reception
The novel received mixed reviews. In The Guardian where it was reviewed by Rachel Cooke proclaimed it "too seriously for its own good." The New York Times called it "a good book but not a great one, though it has many great passages."