Country Italy Status Active Province Province of Naples Architectural type Church | Denomination Roman Catholic Phone +39 081 444971 Architectural style Baroque architecture | |
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Location Naples
Province of Naples, Campania Address Via S. Sebastiano, 1, 80138 Napoli, Italy Diocese Roman Catholic Archdiocese of Naples Similar Sant'Orsola a Chiaia, Santa Maria della Mercede, Santa Maria di Monteverginella, San Giovanni Battista d, Santa Maria del Rosario a | ||
Santa Maria della Mercede e Sant'Alfonso Maria de' Liguori (once church of Santa Maria della Redemption of Captives) is a church located in via San Sebastiano, near the Conservatory of San Pietro a Majella in the historic center of Naples, Italy. It rises alongside the southernmost end of Via dei Tribunali (the Decumanus Maximus of the ancient city), corner with via San Sebastiano, a few blocks north of the gate of Port'Alba.
Contents
History
The church was founded in the second half of the 16th century by a charitable organization that arose in 1548 with the aim of freeing captive Christians who had been captured by Muslim navies and brigands. Sometime they arranged exchanges of similarly enslaved Muslims for their Christian counterparts. Once the association had operated with the church of San Domenico Maggiore, Naples, but began construction of this new church on land ceded to them by the Celestines from the nearby church of San Pietro a Majella, Naples.
In 1706, the church, including the facade with its volutes and obelisk decoration, was rebuilt by Ferdinando Sanfelice. Further reconstructions were performed in 1715 and 1836.
In this church, are the relics of St Alphonsus Maria de' Liguori, who retired from life as a knight. He is depicted at the feet of the Virgin, to whom he was devoted, laying down his sword, and vowing to dedicate to the priesthood.
The interior
The nave has an extensive stucco decoration. The counterfacade was painted (1571-1618) by Teodoro d'Errico (the Italian name for Flemish painter Dirck Hendricksz): it contains a painting of the Angel of Annunciation, on right and a Madonna of the Annunciation, on the left.
The paintings of the side altars are:
Both Simonelli and Malinconico were students of Luca Giordano. The main altarpiece is a canvas depicting the Ransom of Slaves (1672), by Giacomo Farelli, which depicts the Virgin with the child between whose arms above a group of slaves awaits redemption by the arrival of a boat. The main altar was restored by Sanfelice and Lorenzo Fontana. The putti there were sculpted by Domenico Antonio Vaccaro.