Girish Mahajan (Editor)

SandM (album)

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Released
  
November 23, 1999

Length
  
133:13

Release date
  
22 November 1999

Recorded
  
April 21–22, 1999

Artist
  
Metallica

Label
  
Vertigo Records

S&M (album) wwwmetalarchivescomimages27932793jpg

Venue
  
Berkeley Community Theatre, Berkeley, California

S&M (1999)
  
Orgullo, Pasión, y Gloria Tres Noches en la Ciudad de México (2009)

S&M (1999)
  
The Videos 1989–2004 (2006)

Producers
  
Bob Rock, James Hetfield, Lars Ulrich, Michael Kamen

Genres
  
Heavy metal, Thrash metal, Hard rock, Symphonic metal

Similar
  
Garage Inc, Metallica, Reload, Load, And Justice fo

S&M (an abbreviation of Symphony and Metallica) is a live album by American heavy metal band Metallica, with The San Francisco Symphony conducted by Michael Kamen. It was recorded on April 21–22, 1999 at The Berkeley Community Theatre. This is the final Metallica album to feature Jason Newsted as bassist.

Contents

Album information

S&M contains performances of Metallica songs with additional symphonic accompaniment, which was composed by Michael Kamen, who also conducted the orchestra during the concert. The idea to combine heavy metal with an epic classical approach, as James Hetfield has stated repeatedly, was an idea of Cliff Burton. Burton’s love of classical music, especially of Johann Sebastian Bach, can be traced back to many instrumental parts and melodic characteristics in Metallica’s songwriting including songs from Ride The Lightning and Master of Puppets. The other inspiration was Deep Purple's 1969 Concerto for Group and Orchestra. Purple revived their hybrid musical performance in 1999's In Concert with The London Symphony Orchestra after being notified that Metallica were doing theirs earlier that year.

In addition to songs from previous albums spanning Ride the Lightning through ReLoad, there are two new compositions: "No Leaf Clover" and "−Human". "The Ecstasy of Gold" by Ennio Morricone, Metallica's entrance music, was played live by the orchestra. "No Leaf Clover" has since been performed by Metallica in concert, using a recording of the orchestral prelude.

Several other songs, including "Wasting My Hate", "The Unforgiven", "Low Man's Lyric", "Fade to Black", The Unforgiven II, "Through the Never", "Harvester of Sorrow", and even more obscure and lesser-played tracks such as "Ronnie" and "Mama Said" were considered for selection, but were eventually dropped as it was decided by both Metallica and Kamen that they were not well-suited for symphonic accompaniment. Unexpectedly, the nearly ten-minute "...And Justice For All" was also considered for the setlist but, due to the gap in time since the band last played it and with little time to prepare, the idea was abandoned. On the S&M DVD documentary, Metallica and Kamen can be seen and heard discussing the orchestration for the Anti-Nowhere League and Metallica favourite cover-song "So What?", though it's obvious both parties were enjoying a good joke and had no intentions of performing the song.

Changes were made to the lyrics of some songs, most notably the removal of the second verse and chorus of "The Thing That Should Not Be" and playing the third verse in its place.

The "S" in the stylized "S&M" on the album cover is a backwards treble clef, while the "M" is taken from Metallica's logo.

The drum kit Ulrich used on the album currently resides in a Guitar Center in San Francisco.

Critical reception

  • Rolling Stone (January 20, 2000, pp. 57–59) - 3 stars out of 5 - "...create the most crowded, ceiling-rattling basement rec room in rock....[in its] sheer awesomeness...the live performance succeeded....the monster numbers benefit from supersizing. The effect is more one of timelessness..."
  • Spin (February 2000, pp. 114–5) - 8 out of 10 - "...makes their tempo and texture dynamics...into a topic in and off of itself, a deep evocation of bad-voodoo creeping willies culminating in 'One' and 'Enter Sandman'....Freed from ritualized superhuman extremism, it builds a soundtrack to everyday life."
  • Entertainment Weekly (December 3, 1999, p. 102) - "Buttressed by grim strings, creaky horns, and thundering timpani, staples...creep with fearful new dimension, like an old Posada print come to life." - Rating: B
  • Q (February 2000, p. 86) - 3 stars out of 5 - "...another just about forgivable flirtation with Spinal Tap-esque lunacy....a fine hit-heavy live LP with bolted-on bombast from the S.F. Symphony....Michael Kamen's scores swoop and soar with impressive portent throughout."
  • CMJ (December 20, 1999, p. 24) - "...stunning....orchestral renditions of hits from the band's '90s output."
  • Commercial performance

    S&M sold 300,000 units in the first week of release, and went on to sell a total of 2.5 million copies. As of 2003, the album had been certified 5× platinum. As of August 2013 the album had sold more than 8 million copies worldwide.

    Legacy

    The album was included in the book 1001 Albums You Must Hear Before You Die.

    This album was also ranked 48th on NME's list of 50 Greatest Live Albums.

    Video release

    Metallica also filmed and released the concert in DVD and VHS with direction by Wayne Isham. The VHS set has only the concert video, while the double DVD set has 5.1 sound (also: 2.0 band+orchestra, 2.0 band-only and 2.0 orchestra-only), 41 minute documentary about the concert, and two "No Leaf Clover" music videos: "Slice & Dice" version and the "Maestro Edit". The DVD also contains four songs with multi-angles where each band member can be viewed individually: "Of Wolf and Man", "Fuel", "Sad But True", and "Enter Sandman".

    Songs

    1The Ecstasy of Gold2:33
    2The Call of Ktulu9:36
    3Master of Puppets8:57

    References

    S&M (album) Wikipedia