Remedy (Basement Jaxx album)

Concept

When Basement Jaxx first rose to stardom, the duo was unsatisfied with the state of dance music, describing it as "linear" and "close-minded". "Most dance music is very shiny and so robotic," Ratcliffe told Rolling Stone. "There's just not much feeling. If we made a record like that, we'd be just like everybody else." Consequently, the title Remedy was chosen as "an antidote" to the "poisons" they saw within dance music. "A lot of it seems quite superficial," Ratcliffe said.

"For me, Remedy was always about togetherness, which is the appeal of house music. You may be black; you may be white; you may be Jew; you may be gentile. It doesn’t matter in our house," Buxton said.

Release

Remedy was released on 10 May 1999 in the UK and 3 August 1999 in the US, by record label XL. It reached number 4 in the UK Albums Chart.

Four singles were released from the album: "Red Alert" on 19 April, "Rendez-Vu" on 2 August, "Jump n' Shout" on 25 October and "Bingo Bango" on 3 April 2000. "Red Alert" was the first Basement Jaxx single to reach number 1 on the U.S. Hot Dance Music/Club Play chart. "Rendez-Vu" also reached number 1 later in the year, and "Bingo Bango" became their third number 1 single the following year.

In 2014, Ratcliffe revealed that XL was planning to re-release the album with a documentary about that period of their career.

Critical reception

Remedy holds a rating of 88 out of 100 on review aggregator website Metacritic, indicating "universal acclaim". AllMusic's John Bush called the album "one of the most assured, propulsive full lengths the dance world has seen since Daft Punk's Homework." Marc Weingarten of Entertainment Weekly described Remedy as a "blissful joy ride", while Ted Kessler of NME called it "probably as good a dance album as anyone from these Isles has produced this decade." The Austin Chronicle's Marc Savlov called the album "a top beat assemblage to rival any release this year". Alternative Press wrote: "Somewhere on this album, Basement Jaxx have created a song that you're going to love, no matter what sort of music you listen to [...] the mere existence of Remedy shows hope for modern music's future." Melody Maker wrote that the album "repeatedly, and durably, synthesises those notoriously unstable dance music elements; the dizzying dancefloor rush and the complex, long-lasting emotional hit", calling it "deft and obviously heartfelt" and "truly great." Thomas Bangalter of Daft Punk proclaimed the album as "better than [theirs]."

The A.V. Club was less favourable, saying Remedy was "nowhere near as revolutionary as the hype would insinuate", though noting that it does "offer its distinct pleasures." Robert Christgau of The Village Voice gave the album a two-star honourable mention rating, indicating a "likable effort consumers attuned to its overriding aesthetic or individual vision may well enjoy", and remarked: "Like so much good house, more fun than reading the newspaper and less fun than advertised."

Remedy was included in the book 1001 Albums You Must Hear Before You Die. In 2012, Rolling Stone placed Remedy at number 13 on its list of the 30 Greatest EDM Albums of All-Time.

Personnel