Rahul Sharma (Editor)

Perkin Warbeck (play)

Updated on
Edit
Like
Comment
Share on FacebookTweet on TwitterShare on LinkedInShare on Reddit
Playwright
  
John Ford

Perkin Warbeck (play) t0gstaticcomimagesqtbnANd9GcSjseCT2maPg14bqI

Similar
  
John Ford plays, Other plays

Perkin Warbeck is a Caroline era history play by John Ford. It is generally ranked as one of Ford's three masterpieces, along with 'Tis Pity She's a Whore and The Broken Heart. T. S. Eliot went so far as to call Perkin Warbeck "unquestionably Ford's highest achievement...one of the very best historical plays outside of the works of Shakespeare in the whole of Elizabethan and Jacobean drama."

Contents

Date, performance, publication

The play's date of authorship is uncertain, though it is widely thought to have been written in the 1629–34 period. It was first published in 1634, as The Chronicle History of Perkin Warbeck. A Strange Truth. The quarto was issued by the bookseller Hugh Beeston, with a dedication by Ford to William Cavendish, 1st Duke of Newcastle. The title page bears Ford's anagrammatic motto, "Fide Honor," and states that the play was performed "(some-times)" by Queen Henrietta's Men at the Phoenix or Cockpit Theatre.

A second edition appeared in 1714 in duodecimo format. Ford's play was reportedly revived at Goodman's Fields in 1745, during Bonnie Prince Charlie's invasion of England; two other contemporary plays about Warbeck were also acted at that time. After 1745, the next production occurred in 1975 at Stratford-upon-Avon.

Genre and plot

The history play was rather outmoded in the Caroline era—a fact that Ford himself mentions in the Prologue to his play: "Studies have of this nature been of late / So out of fashion, so unfollowed..." (lines 1–2). Ford sticks close to his historical sources, more so than most playwrights of the English Renaissance era who ventured into the history-play genre. Ford's Warbeck, like his historical model, claims to be "Richard IV," one of the princes supposedly murdered in the Tower of London during the reign of Richard III, but who allegedly escaped to champion the cause of the House of York. The Scottish invasion and two Cornish uprisings are shown; but Warbeck's efforts to win the crown are not successful, the Spanish peacemaker Pedro de Ayala appears as 'Hialas.' Ford departs from his sources in one notable instance: he depicts the captured Warbeck in an encounter with Lambert Simnel, another defeated pretender to the throne who has renounced his claim and been pardoned. Simnel offers Warbeck the same chance, but Warbeck refuses to yield. In the play's climactic final scene, Warbeck is placed in the stocks, a public humiliation preceding his execution; Warbeck's followers are shown with halters around their necks as they too are led to death.

Overall, Ford treats Warbeck with sympathy and compassion; without actively taking Warbeck's part, he strives for a neutral treatment, in contrast with the overwhelmingly negative tone of official Tudor historiography.

Critical responses

This "fascinating, troubling play" has provoked a large and growing body of critical commentary. "Criticism of the play...has centered upon the psychological, the political, and the paradoxical." Critics have disagreed about the sanity of Ford's Warbeck, the political message of the play, and even whether it is history or "Anti-History." The play was quoted in John M. Ford's novel The Dragon Waiting.

References

Perkin Warbeck (play) Wikipedia