Key Lydian mode Form Gradual Dedication Ignaz Traumihler | Catalogue WAB 30 Language Latin | |
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Composed 18 July 1879 (1879-07-18): Vienna | ||
Os Justi ("The mouth of the righteous"), WAB 30, is a sacred motet composed by Anton Bruckner in 1879. Os justi is a Gregorian chant used as gradual of the Commune Doctorum and as introit of the Commune Confessoris non Pontificis.
Contents
History
Bruckner composed this gradual on 18 July 1879. Bruckner dedicated it to Ignaz Traumihler, choirmaster of St. Florian Abbey.
When Traumihler saw the manuscript, he asked: "Ist's der ganze Text?" (Is this the whole text?) Therefore, Bruckner added on 28 July 1879 a verse Inveni David in Gregorian mode followed by a repeat of the Alleluja.
The first performance occurred not as foreseen on Traumihler's name-day (31 July 1879), but four weeks later, on 28 August 1879 on the feast of Saint Augustinus under Traumihler's baton, with Bruckner at the organ.
The work was first edited by Theodor Rättig, Vienna in 1886, together with three other graduals: Locus iste, Christus factus est and Virga Jesse. In this first edition, something went wrong: the motet and the first Alleluja were issued, but not the extra verse (Inveni David) and the repeat of the Alleluja. The extra verse and the repeat of the Alleluja were wrongly classified by Grasberger as a separate work (Inveni David, WAB 20).
The full original setting is put in Band XXI/28 of the Gesamtausgabe.
Music
The text of the motet is two verses of Psalm 37, which is Psalm 36 in the Vulgata (Psalms 37:30–31). The text of the added verse is taken from Psalm 89 (Psalms 89:20).
The original work of 18 July 1879, a 69-bar gradual, is scored in Lydian mode for choir a cappella. On two occasions (bars 9-13 and 51-56) the choir is divided into eight voices. The second part on "Et lingua ejus" (bars 16-42) is a fugato without any alteration. The last sentence, on "et non supplantabuntur" (bars 65-69), is sung pianissimo by the soprano, on a sustained tonic chord by the five other voices (ATTBB). It is followed by a 2-bar, unison Alleluja in Gregorian mode.
On 28 July 1879, Bruckner added an extra verse Inveni David scored for unison male voices with organ accompaniment, and a repeat of the 2-bar Alleluja. According to Elisabeth Maier the melody of the Alleluja is a quote of the Alleluja of the introit In medio ecclesiae of the Missa de Doctoribus. The extra verse is apparently Bruckner's own composition.
Traumihler was a fervent supporter of the Cecilian Movement; the reason why Bruckner composed this motet in Lydian mode, without any alteration in the key and in the whole score, and with large use of unaltered chords.
Selected discography
The first recording of Os justi occurred in 1931:
The large majority of the recordings follows the first edition, sometimes without Alleluja. A selection among the about 120 recordings:
There are only a few recordings with the full motet, i.e., with the verse Inveni David: