One AM (1916 film)

Plot

The film opens with a scene of a wealthy young man (Chaplin) arriving at his house in a taxi late at night after a night of heavy drinking. He struggles with the car door when exiting the car and then in paying the taxi driver (Albert Austin). When he gets to his front door, he thinks that he has forgotten the key and has to enter through the window. While climbing in through the window, he steps into a fishbowl that's placed underneath it and then almost falls down when the carpet underneath him slides. After finding his balance again, he goes through his pockets and realises that the key has been there all the while. He goes back through the window and enters through the front door.

Inside the house, the furniture and other inanimate objects become almost insurmountable obstacles for the drunk. He struggles to balance on the sliding carpets and wonders whether he is wearing skates. Falling down, he lands between a tiger rug and a stuffed Eurasian lynx, which terrify him as he thinks they are real. He goes over to the table and tries to pour himself a drink, but first he accidentally spins the table top around and then does not manage to pour the drinks inside a glass. He then unsuccessfully attempts to light a cigarette, and then tries to head up the stairs to his bedroom. He fails several times in climbing them; a large cuckoo clock on the upstairs landing also poses a problem. He becomes increasingly creative with his attempts to climb the stairs, for example by using mountain climbing gear.

When he finally reaches his bedroom, he struggles to open his Murphy bed and ends up wrecking it. He gives up on the idea of sleeping in his bed and goes to bathroom. He enters the shower and accidentally turns it on. Soaked, he then gets into the bathtub and falls asleep under a towel.

Cast

Sound version

In 1932, Amedee Van Beuren of Van Beuren Studios, purchased Chaplin's Mutual comedies for $10,000 each, added music by Gene Rodemich and Winston Sharples and sound effects, and re-released them through RKO Radio Pictures. Chaplin had no legal recourse to stop the RKO release.