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Nirvana (film)

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Director  Gabriele Salvatores
Country  Italy, France
6/10 IMDb

Genre  Drama, Sci-Fi, Thriller
Language  Italian
Nirvana (film) movie poster
Writer  Gabriele Salvatores, Pino Cacucci, Gloria Corica
Release date  January 24, 1997 (1997-01-24)
Music director  Mauro Pagani, Federico De Robertis
Screenplay  Gabriele Salvatores, Gloria Corica, Pino Cacucci
Cast  Christopher Lambert (Jimi Dini), Sergio Rubini (Joystick), Diego Abatantuono (Solo), Stefania Rocca (Naima), Emmanuelle Seigner (Lisa), Amanda Sandrelli (Maria)
Similar movies  The Matrix Reloaded, The Matrix Revolutions, Blackhat, WarGames, Salt, Looper

Nirvana 1997 trailer

Nirvana is a 1997 Italian cyberpunk science fiction film directed by Gabriele Salvatores. The film stars Christopher Lambert, Diego Abatantuono, Sergio Rubini, and Stefania Rocca. It was screened out of competition at the 1997 Cannes Film Festival.


Nirvana (film) movie scenes

Nirvana 1997 trailer christopher lambert


Nirvana (film) wwwgstaticcomtvthumbdvdboxart24511p24511d

The film tells the story of a virtual reality game designer, Jimi (Christopher Lambert), who discovers that the main character of his game, Solo (Diego Abatantuono), has achieved sentience due to an attack by a computer virus. Asked by his creation (who feels everything the character in the game feels, including multiple deaths) to eliminate its existence, Jimi sets out to erase the game from the server of his employer, Okasama Star, before it's commercially released on Christmas Day, and thus spare Solo further suffering.

Nirvana (film) Nirvana Terre di Confine Magazine

Jimi has been depressed since his wife Lisa (Emmanuelle Seigner) left him. He decides to make his search for her a part of his quest to delete Solo and the game. Along the way he recruits Lisa's friend Joystick (Sergio Rubini) and tech wizard Naima (Stefania Rocca) to help him avoid suspicious representatives of Okasama Star, who employ increasingly forceful methods to stop him. By the end, Jimi hacks into one of the company's servers. This hack is in the world of virtual reality interpreted as encounters with persons from Jimi's life; the network defends itself by projecting virtual representations of people such as Jimi's father and Lisa. It tries to keep the hacker's mind in the loop of his own memories as it burns the hacker's brain. Jimi manages to pass through the network defence mechanism by freeing his mind, forgetting about life before or after, about bodily feelings, and entering a state of pure concentration where one focuses only on the target (in this case the server with the company's bank account). It is similar to meditation where one tries to concentrate on breathing; people who are able to do this are referred to as angels (they are invisible to the system, can go anywhere they want, and their possibilities are limitless) in the film. In the end, Jimi feels enlightened and at inner peace with himself. He successfully deletes Solo, comes to terms with Lisa's leaving him, and understands why things happened the way they did. He is in the state of Nirvana.


Nirvana (film) 10 Scifi Movies Similar to William Gibsons Neuromancer Taste of

The director, Gabriele Salvatores, shot the film mainly in the disused Alfa Romeo assembly plant in Portello, Milan. The whole place was converted in this sci-fi set where many ethnic sides of the city are shown. From the Indian to the Japanese to the Chinese, the film moves around the dynamic and the futuristic realms that the future created.


Nirvana (film) Cyberpunk allamatriciana fa rima con Nirvana

Nirvana was released on January 24, 1997 in Italy. Dimension Films picked up U.S. distribution rights in March 1997, and the film was dubbed in English and released in early 1998.


Nirvana (film) Pastiche Review of Nirvana 1997

Margaret Pomeranz of Special Broadcasting Service rated the film 2 out of 5 stars and stated that the film is too serious and not very fun. Alan Jones of RadioTimes rated it 4 out of 5 stars and wrote, "This stunning cyber-fantasy is rich in design and innovative ideas, and intellectually engages the mind while always remaining enjoyable on the purest pulp levels." Travis Mackenzie Hoover of Exclaim! stated the film is too derivative and has aged poorly. David Rooney of Variety called it "a visually impressive, existential sci-fi yarn" that is "shortchanged by a poorly structured story".

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Nirvana (film) Pastiche Review of Nirvana 1997


Nirvana (film) Wikipedia
Nirvana (film) IMDbNirvana (film)

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