Nelson le Follet

Biography

During his youth, he had been an athlete of the Christopher Columbus Gymnastics Society, thus dedicating himself to performing acrobatic acts in famous circuses of the time, such as the Parish Circus, under the name of the "Red Devil". His background as a Viganego gymnast, allowed him to perform mostly as an antipodean, as an expert of the circus art in juggling various objects with his feet, laying on his back and keeping his legs up in the air, more or less, vertically. He dedicated himself to pantomime, transforming and illusionist shows in Italian Theatres (such as the Venetian Malibran), French and Spanish Theatres, with his own company, "Troupe Nelson". In 1898-99, in his shows, he used a projecting machine, made by the brothers Auguste and Louis Lumière. At the beginning of the century, mostly, he used names of art such as Nelson Viganego, Nelson Le Follet or Nelson Follet, and, sometimes the Italian version of "Nelson Folletto". After his circus experience, another ideal place for Nelson's exhibitions, was the coffee-concert Paris style kind of show. In April 1902, he staged at the Umberto the first Napolitano Theatre, a show called Arizof, which had been described by those times' newspapers as, " a fantastic and spectacular choreographic act by Nelson Follet (prose, music and dance)". The prima ballerina was Elvira Valentini.

After this, he had shows in France (at the Olympia in Paris), Spain, Belgium, Poland, Estonia and Brazil, being active until the eve of the First World War. In the very first years after the war, he worked as a theatre agent, based in Genova. Only few photos of Nelson Le Follet are left. The only existent photo, from the early 1900s, shows a fascinating Enrico, dressed with a coat in sea otter fur and beaver fur reverts and a cylinder hat.