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Muqi Fachang

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Name
  
Muqi Fachang

Role
  
Painter

Died
  
1269


Muqi Fachang httpsuploadwikimediaorgwikipediacommons00

Muqi Fachang or Muxi Fachang (1210?-1269?) (Chinese: 牧溪法常; pinyin: Mu-ch'i Fa-ch'ang; Japanese: 牧谿 Mokkei) was a Chinese Zen Buddhist monk and painter who lived in the 13th century, around the end of the Southern Song dynasty. His surname is thought to be Xue; Muqi/Muxi was a hao or pseudonym, and Fachang a monastic name.

Muqi Fachang Walden He on ArtStack art onlineChina

Biography

Muqi Fachang Returning Sails off a Distant Shore Attributed to Muqi

Muqi was perhaps from the city of Kaifeng in Henan Province or possibly Sichuan. A painting bears the inscription "monk from Shu (Sichuan)." He originally studied at the Wannian Monastery on Mount Wutai. Muqi was doubtless drawn to the beauty of West Lake in Hangzhou and refounded the abandoned monastery Liutong Temple there in 1215. He is said to have been the disciple of his abbot Wuzhun Shifan (1178–1269) and the painter Liang Kai. His works are considered among the most expressive of the Chán (aka Zen) style of painting.

Muqi Fachang Muqi Fachang Muxi Fachang 12101269

Important works generally attributed to Mu Qi: presently in the Daitoku-ji in Kyoto are a triptych of Guan Yin flanked by a monkey family on one side and a crane on the other; Tiger; Dragon; and the much-reproduced Six Persimmons. Other works sometimes attributed to Mu Qi or as being "in the style of Mu Qi" include various nature studies and a Luohan painting in the Seikado Museum.

Muqi Fachang Returning Sails off a Distant Shore Attributed to Muqi

The monastery would have its place in the subsequent golden age of Chinese monochrome ink painting inspired by Chan (Zen) Buddhism. Muqi's masterpiece was the White-robed Guanyin (Japanese: 観音猿鶴図) preserved in the Daitokuji temple in Kyoto, Japan. This painting and others were to have a profound influence on the subsequent development of ink painting in Japan itself.

Muqi Fachang Artist39s Journal NUMBER 20 Ron Fortier PAINTER

Muqi's artwork covered a wide range of subjects, including portraits, landscapes, and still lifes. The aesthetic ideals of Muqi and other Zen Buddhist artists were overshadowed by the emerging literati ideals of painting. Yet even in the Yuan and early Ming period his works were copied as evidenced by the c. 14th century copy of the "White Robed Guanyin", now preserved at the Daitoku-ji in Kyoto, Japan.

Muqi Fachang Xiaoxiang poetry Wikipedia the free encyclopedia

Liutong Temple was destroyed during the Cultural Revolution.


Muqi Fachang James Cahill on Ch39an Painting 2 Beginnings and Muqi

References

Muqi Fachang Wikipedia