Puneet Varma (Editor)

Moanin'

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Length
  
40:26 50:20 CD reissue

Producer
  
Alfred Lion

Genres
  
Jazz, Hard bop

Release date
  
30 October 1958

Label
  
Blue Note Records

Moanin' httpsimagesnasslimagesamazoncomimagesI8

Released
  
Third week of January 1959

Recorded
  
October 30, 1958 Van Gelder Studio, Hackensack

Moanin' (1958)
  
Drums Around the Corner (1959)

Moanin' (1958)
  
1958 - Paris Olympia (1958)

Artists
  
Art Blakey, The Jazz Messengers

Similar
  
The Jazz Messengers albums, Hard bop albums, Other albums

Art blakey and the jazz messengers moanin 1958 full album flv


Moanin' is a jazz album by Art Blakey and the Jazz Messengers recorded in 1958 for the Blue Note label.

Contents

Art blakey the jazz messengers moanin


Background

This was Blakey's first album for Blue Note in several years, after a period of recording for a miscellany of labels, and marked both a homecoming and a fresh start. Originally the LP was self-titled, but the instant popularity of the bluesy opening track "Moanin'" (by pianist Bobby Timmons) led to its becoming known by that title.

Music

The rest of the originals are by saxophonist Benny Golson (who was not with the Jazz Messengers for long; this being the only American album on which he is featured). "Are You Real?" is a propulsive thirty-two-bar piece with a four-bar tag, featuring two-part writing for Golson and trumpeter Lee Morgan. "Along Came Betty" is a more lyrical, long-lined piece, almost serving as the album's ballad. "The Drum Thunder Suite" is a feature for Blakey, in three movements: "Drum Thunder"; "Cry a Blue Tear"; and "Harlem's Disciples". "Blues March" calls on the feeling of the New Orleans marching bands, and the album finishes on its only standard, an unusually brisk reading of "Come Rain or Come Shine". Of the originals on the album, all but the "Drum Thunder Suite" became staples of the Messengers book, even after Timmons and Golson were gone. Recorded by Rudy Van Gelder in his meticulous Hackensack studios, this recording reflects the hallmark precision associated with that engineer – on the reissue there is a brief conversation between Lee Morgan and Rudy Van Gelder going over Morgan's solo.

Reception

The album stands as one of the archetypal hard bop albums of the era, for the intensity of Blakey's drumming and the work of Morgan, Golson and Timmons, and for its combination of old-fashioned gospel and blues influences with a sophisticated modern jazz sensibility. The album was identified by Scott Yanow in his Allmusic essay as one of the 17 Essential Hard Bop Recordings.

Influence

A vocalese version of "Moanin'" was later written by Jon Hendricks, and recorded by Lambert, Hendricks and Ross, as well as jazz vocalists Bill Henderson and Karrin Allyson.

Track listing

All pieces by Benny Golson except where indicated.

Original LP

  1. "Moanin'" (Bobby Timmons) – 9:35
  2. "Are You Real" – 4:50
  3. "Along Came Betty" – 6:12
  4. "The Drum Thunder Suite" – 7:33
  5. "Blues March" – 6:17
  6. "Come Rain or Come Shine" (Harold Arlen, Johnny Mercer) – 5:49

CD reissue

  1. Warm-up and dialogue between Lee Morgan and Rudy Van Gelder – 0:35
  2. "Moanin'" (Timmons) – 9:35
  3. "Are You Real" – 4:50
  4. "Along Came Betty" – 6:12
  5. "The Drum Thunder Suite" – 7:33
  6. "Blues March" – 6:17
  7. "Come Rain or Come Shine" (Arlen, Mercer) – 5:49
  8. "Moanin'" [Alternative Take] (Timmons) – 9:19

Personnel

  • Art Blakey – drums
  • Lee Morgan – trumpet
  • Benny Golson – tenor saxophone
  • Bobby Timmons – piano
  • Jymie Merritt – bass
  • Songs

    1Moanin9:34
    2Are You Real4:51
    3Along Came Betty6:08

    References

    Moanin' Wikipedia