7.2 /10 1 Votes
Originally published 1999 | 3.6/5 Goodreads Genre Speculative fiction | |||||||||||||||||||||||||||||||||
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Awards Janet Heidinger Kafka Prize Similar Nicole Mones books, Speculative fiction books | ||||||||||||||||||||||||||||||||||
Lost in Translation is a novel written by Nicole Mones, published by Bantam Dell in 1999. It is the story of an American woman trying to lose her past by living as a translator in China. Emotionally charged and erotic, this widely translated bestseller has been universally praised for its authoritative portrayal of a China rarely captured in contemporary fiction. The novel’s accolades include the Kafka Prize for the year’s best work of fiction by any American woman, the Pacific Northwest Bookseller’s Association Book Award for the year’s best novel from the five northwestern states, and the New York Times Book Review’s Notable Book and Editor’s Choice.
Contents
Summary
Expatriate translator Alice Mannegan spends her nights in Beijing’s smoky bars, seeking fleeting encounters with Chinese men to blot out the shame of her racist father back in Texas. But when she signs on to an archaeological expedition searching for the missing bones of Peking Man in China’s remote Northwest deserts, her world cracks open. As the group follows the trail of the Jesuit philosopher/paleontologist Teilhard de Chardin to close in on one of archaeology’s greatest mysteries, Alice finds herself increasingly drawn to a Chinese professor who is shackled by his own painful memories. Love in all its forms–human, sexual, divine, between a nation and its history, a man and his past, a father and his daughter–drives the story to its breathtaking finish.
Reviews and comments
In a blog interview discussing her works, Mones described Alice, the main character, as "one of the few characters who really seemed to write herself". Mones also recalls her past working in China as an inspiration for Alice.
"When I was young, I was close to a young man whose father was suspected of having committed a racially motivated murder during the Civil Rights movement in the U.S. in the early 1960s. The burden of second-hand guilt lay heavy on my friend, and he moved to Hong Kong and refused to return to America. Then, he was killed in an accident. Looking back, I think I started writing the novel a few years after his death in order to play out his story and give it an ending."