Released March 1971 (1971-03) Recorded October–November 1970 | Format 7-inch single Length 4:44 | |
B-side "Simon the Bullit Freak" Genre Folk rock, Progressive rock | ||
"Lady in Black" is a song by the rock band Uriah Heep. It is the fourth track of their 1971 album Salisbury.
Contents
The song is credited to Ken Hensley. It tells the story of a man wandering through war-torn darkness and encountering a goddess-like entity who consoles him. It is often praised, by fans and critics alike, as Hensley's most poetic work to date. There were many b-sides for this song as a single. The most famous was "Simon the Bullit Freak" but "Bird of Prey" has also been the b-side for the song. In 1981 the band released a single in Germany and in Netherlands and the b-side was "Easy Livin'". The song was written in the key of A Minor.
A brief comment on the cover of the original vinyl release commented that for Ken Hensley inspiration was a real case: a surprise visit to his daughter's rural vicar at a moment when he was in very depressed state. The result of this meeting, and - some kind of insight - was the song "Lady in Black": a philosophical parable that tells us that evil cannot be overcome by evil itself.
History
"Lady in Black" has been performed in the form of rock ballads (and not having the traditional verse-chorus), and has become one of the most popular concert numbers of Uriah Heep. It achieved great success in Germany and Russia. In the United Kingdom and United States the song was never released as a single, but when it was released as a single in Germany in 1977, it became a major hit. It stayed on the top of the charts 13 weeks, and it prevented Paul McCartney and his hit "Mull of Kintyre" from reaching number one. For this achievement Uriah Heep got the "Golden Lion" award, the German equivalent Grammy and Brit Awards.
"Lady in Black" is the story of a man who takes a walk one lonely Sunday morning, feeling very empty. He encounters a mysterious woman, her long hair flowing in the midwinter wind, imagery which conveys the cold feeling he's experiencing in the presence of destruction. He doesn't know how she found him since in darkness [he] was walking (dark thoughts), surrounded by the destruction of battle which he considers unwinnable from a fight [he] could not win. The lady is an analogy for good sense and the desire for peace.
When asked to name his enemy, he says, the need within some men to fight and kill their brothers without thought of love or God.
He begs the "Lady in Black" to give him horses to "trample down [his] enemies" suggesting that in his eagerness to stop this senseless waste of life, he has lost sight of what he was trying to stop in the first place, and he would use war to fight war. But she refuses to grant him his request - she wouldn't think of battle that reduces men to animals, so easy to begin, and yet impossible to end, saying that men who resort to war are no better than beasts.
After feeling the desperation that he could never end this senseless aspect of humanity, he asks her (the good sense that represented by her) to stay with him. But the "Lady in Black" responds that he should have faith and trust in peace rather, and gives him hope in this way. (Have faith and trust in peace she said, and filled my heart...).
She goes on to counsel him that war does not stop war (there is no strength in numbers, have no such misconception), but that he should not fear being alone with these thoughts and that he can always call on her when these feelings of desperation arise (when you need me, be assured that I won't be far away).
He concludes that while he is still unhappy with the nature of things, he now has help dealing with his struggles - My labour is no easier, but now I know I'm not alone, I'll find new heart each time I think upon that windy day
According to Ken Hensley, the reason that he sang the lead vocals was, that David Byron did not like the song and refused to record it during the 'Salisbury' sessions. Producer Gerry Bron proposed Hensley to record the lead vocals, and he did it.