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La Adelita

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La Adelita

"La Adelita" is one of the most famous corridos (folk songs) of the Mexican Revolution (1910-1920) that has been adapted in various forms. This particular version of the ballad (which is also shown in the form of a portrait) was inspired by a Durangan woman (whose identity has not been yet established beyond doubt) who joined the Maderista movement (the revolutionary party led by Francisco I. Madero) at an early stage of the Revolution, and supposedly fell in love with Madero, her revolutionary leader. Consequently, this popular icon became the source that documented the role of women in the Mexican Revolution, and gradually became synonymous with the term soldadera or female soldier who became a vital force in the revolutionary war efforts due to their participation in the battles against Mexican government forces.

Today, it is argued that Adelita came to be an archetype of a woman warrior in Mexico and a symbol of action and inspiration. Additionally, her name is used to refer to any woman who struggles and fights for her rights. However, the song, the portrait, and the role of its subject have been given different, often conflicting, interpretations. It has also been argued that “La Adelita" expressed the sensitivity and vulnerability of [army] men, emphasizing the stoicism of the rebellious male soldier as he confront[ed] the prospect of death." Another interpretation of this icon (this time analyzed by the feminist scholar María Herrara-Sobek) argue that “Adelita’s bravery and revolutionary spirit are lost to the fatalism and insecurities of male soldiers who […] focused on passion, love and desire as they face[d] combat.”

Lyrics

The music of this particular version of "La Adelita" was stolen (without greater changes as a main theme of whole picture) by Isaak Osipovich Dunayevsky, who wrote the songs for one of the best known Soviet comedies, Jolly Fellows (1934). The Soviet composer never mentioned the origins of his song.

References

La Adelita Wikipedia