L'Imprudence

Production

Alain Bashung cowrote most of the lyrics from this album with Jean Fauque, except "Faisons envie" ("Let us be desirable") which was written with Christophe Miossec, and the song "Jamais d'autre que toi" ("No other than you") which is a poem by Robert Desnos turned into a song. Bashung composed the music, collaborating with Ludovic Bource, Jean Lamoot, Arnaud Devos and the Swiss band Mobile in Motion.

The title of this album is based on Lenteurs et imprudence... (Slownesses and imprudence...), a working title for Fantaisie militaire and on his own "reflection on human relations". This album has been written and composed as Bashung became the father of a daughter and a feeling of "fear, injustice and incomprehension" fed by everyday news. For instance, Bashung said he composed the song "Dans la foulée" ("Following") after the "media backlash against Marie-Josée Pérec in Australia" during the Sydney Olympics when the athlete, because of pressure and a surge of paranoia, fled the competition. Shocked by the reaction of the media towards her, because of the expectations and after laudatory comments about her, he questions the system. Also, the song "Noir de monde" ("Heavily crowded" but in the sense of "What a dark world", "noir de monde" being a common language expression) is a denunciation of all the revisionists, those of history and others at a more personal scale. Alain Bashung also declared that after the success of Fantaisie militaire he wished to make "a tragic and sensual album".

From a technical viewpoint, Bashung was very careful about the sophistication of musics, arrangements, and even ambiance noises, using the computer technology as a recording tool and not for a question of technical quality. The album is often spoken more than sung, like in the music of Serge Gainsbourg or Léo Ferré like for the singing of Desnos' poem or "Faisons envie" by Miossec.

Critical reception

The critical reception was positive, the album sometimes being called "a landmark" or "sublime", while the music was qualified as "dark" and "crepuscular".

Musicians