Imagination (Helen Reddy album)

History

The path from the planning stages for the album to its appearance on store shelves was not a smooth one. A story on Reddy from the September 19, 1981, issue of Billboard detailed some of what she had in mind for this second MCA project: "'I'll work on my next album around the end of the year or in January or February so it'll be ready for an Easter [1982] release,'" she told the magazine, but it didn't come out until 1983. She also told them that "Joel Diamond, who produced the first MCA project, will also handle production on the next LP," but that job went to Joe Wissert.

In the liner notes of Reddy's 1996 compilation CD When I Dream, Brian Giorgi explains that the changes in the music industry in 1983 that sealed the fate of this album were not just in top 40 radio programming. "Changes were also taking place within her record company. The top level management which had brought her to MCA Records was gone." Reddy concurred: "Between the time of recording and the time of release of the Imagination album there was a major shakeup in the executive offices at MCA records," and instead of the person "who would have known how to market and promote the new album to my demographic, I was now dealing with someone of much lower stature in the industry." She found out how much lower when the album arrived in stores:

The day that the Imagination album was released I went to Tower Records in Westwood to see what sort of promotion MCA was doing. At the entrance to the store I ran into a young couple who had written one of the songs on the album. They were anxious to buy a copy. It took the three of us, searching independently, 15 minutes to find one. There were no store displays of any kind. It was not filed under New Releases. It was not to be found under my name in the pop female vocal section or any other category. My new album was finally located in the back of the store in a bin marked Nostalgia and filed under the letter R. It had been successfully "buried."

The fact that Reddy was divorcing Jeff Wald, who had also been her manager since the late 1960s, and that they were in a custody dispute over their 10-year-old son became of greater interest to entertainment reporters. "In preparation for the release of the album, my publicist had arranged for an article in People magazine. I had gone to their photographer's studio to have pictures taken to accompany the story." Later when she flew to New York for what was to be a promotional appearance on Good Morning America, the news of the divorce got out. "While I was in the air, the latest edition of People magazine was hitting the stands. I didn't know it yet, but the interview intended as publicity for the album was now a cover story, complete with a smiling picture of me, on 'Hollywood's Dirtiest Custody Case.'"

On the way from the airport to the studio for the Good Morning America interview she received a call from the show's talent coordinator. "I had already done the customary pre-interview over the phone from L.A.... I had told her I would be happy to discuss anything except the custody case because a gag order had been placed on those concerned. If I were to discuss the subject in any way, I would be in contempt of court." Nevertheless, GMA was insistent on taking advantage of the opportunity to discuss the split. "The talent coordinator informed me that there was no point in my coming on the show if I wasn't going to talk about the custody battle because 'our viewers don't care about your music. They just want to hear about your personal life.'" Reddy had the driver turned around and take her back to the airport. "I needed to find another way to earn a living. I couldn't do this anymore." She wouldn't record another album for seven years.

Singles

The release of "Don't Tell Me Tonight" as a single coincided with a performance of the song on Solid Gold, and Reddy even had a video made for the title track from the album, which also came out in the 7-inch format. "My daughter, Traci, was about to graduate from USC Film School... and with music videos now the rage, I had asked her if she had any ideas for a new album. She certainly did. With the help of her classmates and a loan from the bank, she made a most imaginative film out of the song 'Imagination' for only $15,000." Neither song made it onto Billboard's Hot 100 or Adult Contemporary charts.

Ironically, the reason that Reddy left Capitol Records for MCA was that she didn't feel that she was being supported by them during the last few years that she recorded there. But each of her MCA albums had a song that the label neglected to recognize for its hit potential that was later popularized by someone else. On Play Me Out it was "Save Me", which Louise Mandrell took to number six on the Country chart two years after Reddy's version came out. On this album it was "Heartbeat", the song that became Don Johnson's debut single and reached number five on the Hot 100 and number 26 on Billboard's Album Rock Tracks chart in 1986.

Reception

Allmusic's Joe Viglione had extensive praise for the album. "The Dane Jeffries title track might as well be The Go-Go's or Missing Persons; it's a really great new wave pop tune, served up on a vinyl 12-inch with an extended dance remix for good measure." He emphasized that this update in her sound has expanded the singer artistically: "Side two is more of this new-styled radio pop, and both 'Looks Like Love' and 'The Way I Feel' are among the best work Helen Reddy has ever created. Both songs should have been huge hits, and the entire album is more sophisticated in idea and execution than any that came before except, perhaps, Live in London." On her recording of what became Don Johnson's hit "Heartbeat" he wrote, "It's another snappy, moving, modern-sounding delight," and concluded, "With superb songwriting, crisp production, and her best rock performance on record, Imagination is one of Helen Reddy's finest albums. Not as popular as those which contained her chart hits, Imagination is worth seeking out. It's a sleeper that deserves another shot at success."

Track listing

Side 1

1. "Handsome Dudes" (Barry Mann, Cynthia Weil) – 4:22
2. Ricky Lawson – drums
3. Nathan East – bass and synth bass
4. Martin Walsh – guitar
5. Paul Jackson – guitar
6. Robbie Buchanan – piano and synthesizers
7. "Don't Tell Me Tonight" (Antonina Armato, Gary Benson, Frank Wildhorn) – 3:07
8. David L. Kemper – drums
9. Neil Stubenhaus – bass
10. Robbie Buchanan – GSI keyboard, Yamaha and acoustic piano
11. Martin Walsh – guitar
12. Lori B. Williams – alto sax solo, background vocals
13. "A Winner in Your Eyes" (Randy Goodrum, Candy Parton) – 3:24
14. Vinnie Colaiuta – drums
15. Nathan East – bass
16. Martin Walsh – guitar
17. Robbie Buchanan – piano
18. Kenny Watson – vibes
19. "Let's Go Up" (Franne Golde, Peter Ivers) – 3:56
20. Vinnie Colaiuta – drums
21. Nathan East – bass
22. Martin Walsh – guitar
23. Robbie Buchanan – piano
24. Arnold McCuller – background vocals
25. David Lasley – background vocals
26. Michael McDonald – background vocals
27. "Imagination" (Dane Jeffries) – 4:12
28. Robbie Buchanan – keyboard and synthesizers
29. Paulinho da Costa – timbales
30. Richard Walley – didgeridoo
31. Robert Greenidge – steel drums
32. Helen Reddy – background vocals

Side 2

1. "Looks Like Love" (Keith Stegall) – 2:50
2. Ricky Lawson – drums
3. Nathan East – bass and synth bass
4. Martin Walsh – guitar
5. Paul Jackson – guitar
6. Robbie Buchanan – piano and synthesizers
7. Helen Reddy – background vocals
8. "The Way I Feel" (Eric Kaz, Wendy Waldman) – 3:23
9. John Robinson – drums
10. Neil Stubenhaus – bass
11. Robbie Buchanan – GSI keyboard, Yamaha and Fender Rhodes
12. Martin Walsh – guitar
13. "Guess You Had to Be There" (Barbara Ann Suber) – 3:40
14. Ricky Lawson – drums
15. Nathan East – bass and synth bass
16. Martin Walsh – guitar
17. Paul Jackson – guitar
18. Robbie Buchanan – Wurlitzer electric piano and acoustic piano
19. Kenny Watson – vibes
20. "Yesterday Can't Hurt Me" (Dennis Lambert, Brian Potter) – 3:07
21. John Robinson – drums
22. Nathan East – bass
23. Martin Walsh – guitar
24. Robbie Buchanan – keyboards
25. "Heartbeat" (Eric Kaz, Wendy Waldman) – 3:21
26. David L. Kemper – drums
27. Neil Stubenhaus – bass
28. Robbie Buchanan –acoustic piano
29. Martin Walsh – guitar

Personnel

recorded at Devonshire Sound Studios, Los Angeles, California