Houston, We Have a Problem! (film)

Plot

Yugoslavia developed a space program, as the forgotten third player in the Space Race beside United States and Soviet Union, which Josip Broz Tito then sold to the John F. Kennedy administration in the U.S. in return for $2.5 billion (film estimates at a value of about $50 billion today) in "overseas aid" which boosted Yugoslav economy. When the imported technology failed to deliver its promised results for the NASA's future Moon landing, an angry U.S. applied pressure to Tito, including financial blackmail and threats of military action, culminating in a secret CIA plot that triggered the bloody breakup of Yugoslavia.

Production

It is international co-production by Studio Virc (Slovenia), Nukleus Film (Croatia) and Sutor Kolonko (Germany), backed by HBO Europe, Westdeutscher Rundfunk, Radiotelevizija Slovenija and the Doha Film Institute. It is subsidized by Slovenian Film Centre, the Croatian Audiovisual Centre, Viba Film Studio, MEDIA Creative Europe, Eurimages and the Doha Film Institute. It's HBOs first co-production in the Adriatic region.

According to the director Žiga Virc, the intention of the film was to "tell the symbolic story of the rise and fall of Yugoslavia", as well inviting the viewer to decide what is real and what fiction. In the film are mixed real archive footage with artful fabrication, and conspiracy theory about the Yugoslav space program. Although the film has many comic and emotional subplots, like the pig that served as the first test pilot, or the elderly engineer Ivan Pavić, one of thirty Yugoslav engineers, who was forced to leave his young family, fake his death and funeral, for the undercovered move and work for NASA, and his later return to Croatia, confession and meeting with grown up daughter, they are all fictional. However, many details are real, like the underground military air base Objekat 505, Tito’s visit to New York in 1963, during which he survived a failed assassination attempt, the scratchy recording of phone call between Tito and Kennedy, the recording by Richard Nixon (in a quote about Vietnam, "We'll bomb those Yugoslav bastards right out of the—off the earth. I really mean it.", Yugoslavia is carefully added) and many others.

The film producer and co-writer Boštjan Virc noted that they are aware "not everyone will understand the nature of the film". The point is the power of deception - the people believed a small production film with a hint, while on the other hand big news productions, companies, governments have no hints that something is wrong in the picture, and people take it for granted. He worriedly concluded that "seeing is believing" even if it is a complete fake.

The myth became popular in January 2012 when the filmmakers Žiga and Boštjan uploaded a short video clip on YouTube, which received in excess of one million views, as well as extensive media attention including by Smithsonian Institution. Most of the viewers believed in what they saw in the video, and in the same year radio survey by Radio Free Europe/Radio Liberty, 41.8% of the population of Serbia believed the myth to be true.

Yugoslav space program

The myth is based on several facts: the work The Problem of Space Travel by Herman Potočnik (1892–1929) influenced German, American and Soviet scientists, but it is speculated that U.S. agents confiscated his surviving unpublished notes. In the early 1960s the financial support from the U.S. was larger than NASA's annual budgets, and after Dwight D. Eisenhower the policy was continued by Kennedy. Tito was the last foreign statesman to visit Kennedy before his death, and reasons for the U.S. financial support are not understood to this day.^{[better reference needed]}

There existed scientific cooperation between the United States and Yugoslavia, including the Yugoslav visits by the crews of Apollo 8, 9 and 11. On 26 September 1967, in Belgrade was held the first-ever international symposium on space exploration "First Steps Toward Space", while the second in New York. On 27 June 1971, in Belgrade was held an exhibition on space technologies, which brought together American and Soviet specialists, and fostered future cooperation.

Many Yugoslav engineers were employed by NASA, including Mike (Milojko) Vucelić who worked on Apollo 11 and 13 and Anton Mavretič. The crew of Apollo 11 carried with it the flags of 135 countries including Yugoslavia during the Moon landing on 20 July 1969. The Yugoslavian lunar sample display is new held at the Museum of Yugoslav History in Belgrade.

Critical response

Stephen Dalton from Hollywood Reporter described the film as "consistently witty and entertaining, even when testing the limits of audience gullibility... ultimately less a film about Cold War politics than a sly commentary on our current climate of internet myth-making and “post-truth” public figures", and that philosopher Slavoj Žižek has a chorus role which warns that comforting fiction is often more appealing than complex fact, "even if it didn’t happen, it’s true. That’s the crucial message".

Steve Pond from TheWrap described it as "very entertaining, even if it’s about as factual as This Is Spinal Tap". He noted that the film "acts like a doc but works as myth, not fact; director Ziga Virc doesn’t want audiences to believe what he’s telling them so much as he wants them to think about why they’re so ready to accept any kind of tomfoolery and conspiracy the media puts in front of them".

P. Stuart Robinson from Montages Magazine saw in the film structure parallels with Searching for Sugar Man, and described it as "a minor masterpiece of plausible fabrication, tracking real events with an unwavering satirical eye, and placing them in a kind of perspective that is at once ridiculous and yet surprisingly illuminating. Above all, it’s a good story in its own terms, a real cinematic page-turner".

Noah Charney from New York Observer paralleled it with "Dr. Strangelove, part F for Fake, part real and part Spinal Tap", and praised it to be a clever film which although mocks Yugo-nostalgia, intelligent viewers from former Yugoslavia, and especially from the U.S. may have a problem understanding it.

Jessica Kiang and Nick Schager from Variety and The Village Voice criticized that the "little fun ... depends on falling for its far-fetched premise", and "there are surely more compelling ways to offer it than via a one-note, 88-minute-long joke".

Awards