Occupation Writer Role Author | Name Halid Usakligil | |
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Born 1866 Istanbul, Ottoman Empire Died March 27, 1945, Istanbul, Turkey Children Bulent Usakligil, Vedad Usakligil, Bihin Usakligil, Sadun Usakligil, Guzin Usakligil, Vedide Usakligil Parents Halil Efendi, Behiye Hanim Books Ask‑i Memnu, Mai ve Siyah, Kirik Hayatlar, Bir Olunun Defteri, Saray ve Otesi Similar People Mehmet Rauf, Tevfik Fikret, Cenap Sahabettin, Resat Nuri Guntekin, Jencarlos Canela | ||
Halid Ziya Uşaklıgil (also spelled Halit and Uşakizâde) ([haːˈlit ziˈjaː uˌʃaklɯˈɟil]; 1866 – 27 March 1945) was a Turkish author, poet, and playwright. A part of the Edebiyat-ı Cedide ("New Literature") movement of the late Ottoman Empire, he was the founder of and contributor to many literary movements and institutions, including his flagship Servet-i Fünun ("The Wealth of Knowledge") journal. He was a strong critic of the Sultan Abdul Hamid II, which led to the censorship of much of his work by the Ottoman government. His many novels, plays, short stories, and essays include his 1899 romance novel Aşk-ı Memnu ("Forbidden Love"), which has been adapted into an internationally successful television series of the same name.
Biography
Halid Ziya Uşaklıgil was born in Istanbul in 1866. He went to primary school and then attended the secondary school Fatih Rüştiyesi in the same city. His family moved to Izmir in 1879. He completed his secondary education in Izmir attending the school which now is known as Izmir Atatürk Lisesi. He later attended a Christian school to learn French where he completed his first translation works.
Uşaklıgil founded the newspaper Hizmet in 1886. After 1896 his works were published in the Turkish literary journal Servet-i Fünun, known for its adoption of European literary styles.
When his novel Kırık Hayatlar (Broken Lives) was censored by the Ottoman regime of Abdul Hamid II in 1901, he stopped publishing novels. Broken Lives could only be published in 1923 after the establishment of modern Turkey.
Uşaklıgil's early style is based closely on French Romanticism and most of his novels deal with unfulfilled love. His work is distinguished from contemporary Turkish literature by its more concrete form and creates its own artistic language through the use of Persian and Arabic loanwords.
In his later years he moved to then-village of Yeşilköy near Istanbul.