Name Grace Marchioness | ||
Died 1958, London, United Kingdom People also search for George Curzon, 1st Marquess Curzon of Kedleston | ||
Grace Elvina, Marchioness Curzon of Kedleston (1879–1958) was born Grace Elvina Hinds in Alabama, growing up in Decatur a daughter of J. Monroe Hinds, former United States Minister to Brazil. Her mother was Lucy Trillia from Montevideo.
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1st marriage
Her first husband was Alfred Huberto Duggan of Buenos Aires, Argentina, with whom she had three children, including two sons – Alfred Duggan, historical novelist, and Hubert Duggan, later a British Member of Parliament. Her daughter Grace Lucille Duggan (Marcella Rice) (1907–1995) was mother of Caroline Helen Rice (b. 1931), wife of Robert Windsor-Clive, 3rd Earl of Plymouth.
Grace Elvina was a wealthy woman after her husband's death, inheriting large estancias in South America. In 1916, Philip Alexius de Laszlo painted her as a widow.
2nd marriage
In 1917 (aged 38) she became the second wife of Lord Curzon. In 1923, when Curzon was passed over for the office of Prime Minister partly on the advice of Arthur Balfour, Balfour joked that Curzon 'has lost the hope of glory but he still possesses the means of Grace".
Curzon had three daughters from his first marriage to Mary Victoria Leiter, Baroness Curzon of Kedleston: Mary Irene, Lady Ravensdale in 1896; Cynthia Blanche (first wife of Sir Oswald Mosley), on 23 August 1898; and Alexandra Naldera, on April 20, 1904 (wife of Edward Dudley Metcalfe, the best friend, best man and equerry of King Edward VIII). Despite fertility-related operations and several miscarriages, the second Lady Curzon was never able to give Curzon the son and heir he desperately desired, a fact that eroded their marriage, which ended in separation, though not divorce. However letters from Curzon to Grace in the early 1920s imply that they were still living together and remained devoted to each other.
In 1925, soon before she was again widowed, her portrait was painted by the American artist John Singer Sargent. This oil on canvas painting, which measures 129.22 × 92.39 cm (50.9 × 36.4 in), was Sargent's last oil portrait. The painting was purchased in 1936 by the Currier Museum of Art in Manchester, New Hampshire.