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The Double Canon ("Raoul Dufy in Memoriam") is a short composition for string quartet by Igor Stravinsky, composed in 1959. It lasts only about a minute and a quarter in performance.
Contents
History
Although it is a memorial piece for the painter Raoul Dufy, who had died on 23 March 1953, the Double Canon is not a personal tribute, for the two men had never met. The work originated as a duet for flute and clarinet, composed in Venice in September 1959 as a souvenir piece in response to a request for an autograph (White 1979, 510). Later expanded for string quartet, it had its first performance at a Stravinsky festival in New York, either on 20 December 1959 (White 1979, 509), or else on 10 January 1960 in a concert also featuring the premiere of the Movements for piano and orchestra (Mason 1960, 3).
Analysis
The Double Canon is exceptional in Stravinsky's twelve-tone compositions in that it uses transposed forms of the row. Stravinsky's habitual practice was to use only untransposed row forms (Van den Toorn 1983, 430).
The first five notes of Stravinsky's series for the Double Canon are equivalent to the five-note set of In Memoriam Dylan Thomas, and also are closely related to sets used in Agon, Epitaphium, and A Sermon, a Narrative and a Prayer. It is representative of the earliest phase of Stravinsky’s serial practice, when he had not yet developed the technique of hexachordal rotation that characterizes his music written from the Movements onward (Douw 1998, 313; Smyth 1999, 138; Van den Toorn 1983, 43).