Written by Wole Soyinka First performance 1 March 1975 Playwright Wole Soyinka | Original language English Setting Nigeria Place premiered Vivian Beaumont Theater | |
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Date premiered March 1, 1975 (1975-03-01) Characters Olunde, Simon Pilkings, Jane Pilkings, Iyaloja, Elesin, Amusa Similar The Lion and the Jewel, A Dance of the Forests, Kongi's Harvest | ||
Summary world famous plays 9 death and the king s horseman by wole soyinka
Death and the King's Horseman is a play by Wole Soyinka based on a real incident that took place in Nigeria during British colonial rule: the horseman of an important chief was prevented from committing ritual suicide by the colonial authorities. In addition to the British intervention, Soyinka calls the horseman's own conviction toward suicide into question, posing a problem that throws off the community's balance.
Contents
- Summary world famous plays 9 death and the king s horseman by wole soyinka
- Plot
- Themes and Motifs
- Yoruba Proverbs
- Performances
- Translations
- References
Soyinka wrote the play in Cambridge, where he was a fellow at Churchill College during his political exile from Nigeria. He has also written a preface to the play, explaining what he sees as greatest misconceptions in understanding it. In particular, he says that the play should not be considered as "clash of cultures."
Plot
Death and The King's Horseman builds upon the true story to focus on the character of Elesin, the King's Horseman of the title. According to Yoruba tradition, the death of a chief must be followed by the ritual suicide of the chief's horseman, because the horseman's spirit is essential to helping the chief's spirit ascend to the afterlife. Otherwise, the chief's spirit will wander the earth and bring harm to the Yoruba people. The first half of the play documents the process of this ritual, with the potent, life-loving figure Elesin living out his final day in celebration before the ritual process begins. At the last minute the local British colonial ruler, Simon Pilkings, intervenes, the suicide being viewed as barbaric and illegal by the British authorities.
In the play, the result for the community is catastrophic, as the breaking of the ritual means the disruption of the cosmic order of the universe and thus the well-being and future of the collectivity is in doubt. The community blames Elesin as much as Pilkings, accusing him of being too attached to the earth to fulfill his spiritual obligations. Events lead to tragedy when Elesin's son, Olunde, who has returned to Nigeria from studying medicine in Europe, takes on the responsibility of his father and commits ritual suicide in his place so as to restore the honour of his family and the order of the universe. Consequently, Elesin kills himself, condemning his soul to a degraded existence in the next world. In addition, the dialogue of the native suggests that this may have been insufficient and that the world is now "adrift in the void".
Another Nigerian playwright, Duro Ladipo, had already written a play in the Yoruba language based on this incident, called Oba waja (The King is Dead).
Themes and Motifs
Yoruba Proverbs
Almost every character in Death and the King's Horseman at some point uses a traditional Yoruba proverb. Through his vast knowledge of Yoruba proverbs, Soyinka is able to endow his play with a strong Yoruba sentiment.
Characters often employ Yoruba proverbs primarily as a means of bolstering their opinions and persuading others to take their point of view.
The Praise-singer gets annoyed with Elesin for his decision to take a new wife and tries to dissuade him:
Similarly, Iyaloja tries to admonish Elesin against his earthly attachments and stay true to the ritual upon which the good of his society depended:
Another common way in which Soyinka uses proverbs is with Elesin. Elesin himself uses several proverbs in order to convince his peers that he is going to comply with their ritual and thus join the ancestors in orun:
The final way in which proverbs appear in the play is when Iyaloja and the Praise-singer harass Elesin while he is imprisoned for failing to complete his role within the ritual:
Performances
Written in five scenes, it is performed without interruption. Soyinka himself has directed important American productions, in Chicago in 1976 and at Lincoln Center in New York in 1987, but according to Andrew Gumbel, the play "has been much more widely admired than performed".
The British premiere was directed by Phyllida Lloyd at the Royal Exchange Theatre in Manchester in 1990. It starred George Harris and Claire Benedict.
The play was performed at London's Royal National Theatre beginning in April 2009, directed by Rufus Norris, with choreography by Javier de Frutos and starring Lucian Msamati. It was also performed at the Oregon Shakespeare Festival from February 14 to July 5, 2009. The play was also staged by the St. Louis Black Repertory Theater February 2008, directed by Olusegun Ojewuyi, who also was dramaturge for the Oregon Shakespeare's production. A Yoruba translation Iku Olokun Esin was also performed at the National Theater, Lagos Nigeria, directed by Olusegun Ojewuyi (thus making him the first and only director to have staged the play in both English and in Yoruba – the language and culture of the play.
In 1988 the play was produced by the Addison Center Theatre in Dallas, Texas, under the direction of Clinton Turner Davis. Davis had previously served as stage manager for the Lincoln Center production.
Translations
Russian: by Andrey Kistyakovsky, 1987