Colma: The Musical

Plot

The film follows three teenagers, Billy (Jake Moreno), Rodel (H.P. Mendoza), and Maribel (L.A. Renigen), and their exploits only weeks after graduating from high school. After Billy decides to audition for the regional musical, he meets a college student, Tara (Sigrid Sutter), who is also an aspiring actor. Billy's ambition expectedly puts a strain on his relationships with his best friends, Rodel and Maribel. Rodel, meanwhile, struggles with coming out of the closet to his single father (Larry Soriano), while Maribel struggles to figure out what to do next in life.

Cast

History

After writing a concept album called Colma: The Musical as a birthday present for his childhood friend, he reunited with film school classmate Richard Wong, who had just finished working on the television show, Arrested Development and was looking for a script to direct. When Wong listened to a track from Mendoza's concept album, he asked Mendoza how long it would take to turn it into a script. After seven days, a first draft was born, Mendoza flew from Philadelphia to San Francisco and the plans were set in motion. After 18 days of shooting and several months of editing, a feature film was made for a budget of roughly $15,000. The film, called "an itty-bitty movie with a great big heart" by The New York Times went on to win three Special Jury Prizes on the film festival circuit and was acquired by Roadside Attractions and Lionsgate Entertainment.

Release

The film was distributed by Roadside Attractions theatrically on June 22, 2007. The DVD was released on November 20, 2007 by Lionsgate Home Entertainment with deleted scenes and an audio commentary by director Richard Wong and writer H.P. Mendoza.

Reception

The film received mostly favorable reviews and the review aggregation website Rotten Tomatoes shows Colma: The Musical with a 90% "fresh" among all reviews.

Colma: The Musical premiered at the San Francisco International Asian American Film Festival and won its Special Jury Prize for Best Narrative Feature. The premiere was held at the AMC Kabuki 8 in its 700-seat house which was packed with people who knew nothing about the filmmakers, but possibly appeared based on the title of the film alone. The film was praised by young Asian Americans who identified with the lost, if a little wayward, teenagers.

Manohla Dargis of The New York Times called it "an itty-bitty movie with a great big heart" while Ruthe Stein of the San Francisco Chronicle said that the film "deserves to be seen for its sheer originality and audacity".

Negative reviews came from the Village Voice with Julia Wallace saying "it's unfortunate that Colma pays so little attention to Colma; it may as well be set anywhere." while Kyle Smith of the New York Post says "The songs sound like they were recorded on a toy synthesizer in someone's basement, and neither of the two male leads can sing."

After years of life on DVD and online instant viewing via Netflix, Colma: The Musical has been considered a cult favorite by many and has been paid tribute by various YouTube clips and high school musical renditions of the film. Ruthe Stein of the San Francisco Chronicle likens the film to American Graffiti and Diner, while Jurgen Fauth of About.com compared the film to Mallrats, Ghost World, and Once.

Awards and nominations