Kalpana Kalpana (Editor)

Cela s'appelle l'aurore

Updated on
Edit
Like
Comment
Share on FacebookTweet on TwitterShare on LinkedInShare on Reddit
7
/
10
1
Votes
Alchetron
7
1 Ratings
100
90
80
71
60
50
40
30
20
10
Rate This

Rate This

3.1/5
AlloCine

Directed by
  
Luis Buñuel

Initial release
  
9 May 1956 (France)

Music director
  
Joseph Kosma

Screenplay
  
Luis Buñuel, Jean Ferry

6.9/10
IMDb


Music by
  
Joseph Kosma

Director
  
Luis Buñuel

Story by
  
Emmanuel Roblès

Cela s'appelle l'aurore Cela s39appelle l39aurore la critique

Produced by
  
Edmond Ténoudji Claude Jaeger

Written by
  
Jean Ferry Luis Buñuel Based on a novel by Emmanuel Roblès

Starring
  
Georges Marchal Lucia Bosé Julien Bertheau Giani Esposito

Distributed by
  
Les Films Marceau Laetitia Film

Cast
  
Lucia Bosè, Georges Marchal, Julien Bertheau, Giani Esposito, Jean‑Jacques Delbo

Similar
  
A Woman Without Love, Death in the Garden, The Daughter of Deceit, The River and Death, Gran Casino

Cela s appelle l aurore film titles


Cela s'appelle l'aurore (English: This is Called Dawn) is a 1956 Franco-Italian film, directed by Luis Buñuel. It was written by Buñuel and Jean Ferry, based on a novel by Emmanuel Roblès.

Contents

Cela s'appelle l'aurore CELA S39APPELLE L39AURORE

Synopsis

Cela s'appelle l'aurore Cela s39appelle l39aurore 1956 IMDb

In a small town in the south of France, Dr. Valerio is committed to caring for the poor. His young wife, Angela, cannot stand the place and wants to move to Nice, but the doctor does not want to leave before finding a replacement. Valerio is sympathetic to the working poor of the area, particularly Sandro, a farm worker who maintains the trees belonging to Gorzone, a rich industrialist and the primary employer in the town. Angela becomes ill and wanders the town's slum quarters in a delirium, ultimately leaving the town for a holiday without her husband. The Commissioner of Police takes Valerio to a mountain village in order to sign medical reports for a little girl who had been raped by her grandfather. There, Valerio meets Clara, a rich young widow. He considers a menage a trois, but is rebuffed. Meanwhile, Sandro is dismissed by Gorzone, forcing Sandro and his tubercular wife, Magda, to leave their home, a move that results in Magda's death. Distracted by grief, Sandro shoots Gorzone. Valerio hides Sandro from the police, a decision that results in Angela leaving the doctor for good. Sandro leaves Valerio's protection and, when cornered by the authorities, shoots himself. Valerio refuses to shake hands with the Commissioner, and the last scene shows Valerio and Clara walking away at night, arm in arm on the quayside, followed by some of Sandro's cronies.

Political theme

Cela s'appelle l'aurore 37643jpg

Film critic Raymond Durgnat has called this film the first of Buñuel's "revolutionary triptych", along with La Mort en ce jardin and La fièvre monte à El Pao: "Each of these films is, openly, or by implication, a study in the morality and tactics of armed revolution against a right-wing dictatorship."

Cela s'appelle l'aurore httpsuploadwikimediaorgwikipediaenff3Cel

Cela s'appelle l'aurore Cela s39appelle l39aurore la critique

Cela s'appelle l'aurore Cela s39appelle l39aurore 1956 uniFrance Films

Cela s'appelle l'aurore Cela s39appelle l39aurore Amanti di domani

Cela s'appelle l'aurore celasappellelauroreph5jpg

References

Cela s'appelle l'aurore Wikipedia