Name Carlos Martinez | Role Actor | |
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Carlos Martínez is a Spanish mime actor. He has participated in the formation of various theatre groups and has taught mime and theatre in public schools, at the University of Zaragoza and at numerous international art seminars. He has published two manuals on mime 'In Silence' and 'Word of Mime'.
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The shower by spanish mime actor carlos martinez
Biography
Carlos Martínez was born 30 September 1955 in Pravia (Asturias), Spain. At the age of 12, he moves to Barcelona, the vibrant capital of Catalonia, where he discovers his love for acting. He enters the pantomime school 'Taller de Mimo y Teatro Contemporáneo' (1980), the performing arts school 'El Timbal' (1981) and studies under professors such as 'Manuel Carlos Lillo' and 'Jorge Vera' (1982–1987).
Because he is not dependent on any translation, from 1982 onwards Carlos Martínez finds an open stage throughout Europe and in countries as diverse as Brazil, Canada, Chile, Philippines, Russia, South Africa, and the USA. He tours extensively in Europe with the Zahorí theatre company (1996-1998) presenting "The Golden Rule/Learning by Doing—A Celebration of our Differences in an Open Europe". The project involved the use of drama in adult education and was sponsored by the Socrates Fund of the EU.
Over the years, six feature-length programs emerge: humorous solo shows like "Hand Made" and "Books without Words", thematic concept programs like "My Bible" and "Human Rights". and recently his 25th and 30th stage anniversary shows "Time to Celebrate" (2007) and "Mirage" (2012). His collaborative programs include "Silent Night" (performed in ensemble with some of his advanced students), PianOmime (with the German pianist-composer, Johannes Nitsch), and "Still & Stark" (with Andreas Malessa).
Courses and workshops are an important pillar in the work of the actor. From pure mime workshops for beginners to master classes for professional actors. For educators and business people, interactive seminars on convincing without words and communication. He concentrates on body fluency skills to give words and actions deeper meaning in places and situations of conflict. At international conferences he customizes his pieces in "Mime à la Carte", to meet the specific requests of the organizer or the spontaneous expression of the spectators.