Bubblegum (Mark Lanegan album)

Recording and production

The album was recorded at various locations 2003-04 including: Rancho De La Luna (Joshua Tree, CA); Sound City (L.A., CA); Stagg Street (Los Angeles, CA); Lethal (L.A., CA); Donner & Blitzen (Arcadia, CA); 11 a.d. (Hollywood, CA); Sound Arts (Houston, TX); Kudzu Ranch (Mebane, NC); Del Boca Vista (South Pasadena, CA)

The album was Mixed by Rick Will except Alain Johannes (11-14) and Mathias Schneeburger (8, 15) Recorded by Tracey Chisholm, Alain Johannes, Rick Will, Jonas G., Mathias Schneeburger, Aldo Struyf, David Catching, Brian Baker, Rick Miller, Rail Rogut, Pete Martinez.

Photos: Anna Hrnjak

Art Direction & Design: Susan McEwoen

Release and reception

Allmusic's Mark Deming described the album: "With the Screaming Trees an increasingly distant memory and his brief tenure with Queens of the Stone Age seemingly over and done, Mark Lanegan appears to have well and truly become a solo artist, and while the dark and blues-shot introspections of Whiskey for the Holy Ghost and The Winding Sheet felt like a respite from Lanegan's usual musical diet of the time, Bubblegum sounds like an effort to fuse the nocturnal atmospherics of his solo work with the impressive brain/brawn ratio of his better-known bands." awarding the album four out of five. The Guardian's Alexis Petridis wrote the record was "Lanegan once called his bluesy solo work "death dirges". From its matte black cover inwards, Bubblegum never stints on the dark stuff. There is drug-induced despair and failed romance, with music to match: sibilant drum machines that recall 1970s art-punks Suicide, dolefully minimal guitar figures, shrieking feedback and the unmistakable wail of PJ Harvey on backing vocals. At its bleakest and least tuneful, Bubblegum is powerful enough to take your breath away. In every sense, Bubblegum is a staggering record" Petridis awarded the album four out of five stars.

Pitchfork Media reviewer Matthew Murphy commented that "Throughout Bubblegum, Lanegan proves himself adroit at navigating the back alleys of Babylon, but after the record's umpteenth reference to loaded shotguns, '73 Buicks, and goin' cold turkey, one can't help but think he might eventually want to take a stab at some new material. So far, his voice has proven to be well-suited for whatever use he has put it to; hopefully next time he strays a little further afield to better stretch its limits."

From Stylus Magazine by Dave McGonigle: "It is, to be frank, one of the most remarkable and forward-looking rock albums that you will hear all year, and testament to Lanegan's ability to take desolate lyrics and fashion beautiful, redemptive tunes around them. This is the album that Lanegan always seemed about to make; forgive him his tardiness, and dive right in."[1]

CD Times's Karl Wareham : "'Bubblegum', on the whole, is something of a flawed classic. When it's good it's excellent, but there's one too many fillers to make it a perfect album. It's still one of the strongest albums released for quite a while. Slipping onto the shelves with hardly a hint of hype and that's OK, this is one album that shouldn't need it for it'll sell by word of mouth for years to come." [2]

From The Age (Australia) by Patrick Donovan, "It's hard to tell if the title is ironic, given the dark nature of the album, but perhaps he answers this on Bombed: "When I'm bombed I stretch like bubblegum." This album will resonate with listeners long after the storm has settled, the ice has melted and his words fade to black. A modern-day classic from one of rock's great survivors." Patrick Donovan awarded the album five stars.

Playlouder: "At times 'Bubblegum' is terrifying, exhilarating, intimate, sexy, weird, and downright wonderful. 'Bubblegum' is the sound of being loaded. 'Bubblegum' is highly addictive, so be careful." [3]

Upon its release in August 2004, Bubblegum peaked at #39 on the Independent Albums chart. The album granted Lanegan' his first commercially successful album. Bubblegum peaked at #19 in Italy, #28 in Belgium, #30 in Norway, #35 in Finland, #36 in Netherlands, #43 in the United Kingdom, #67 in Germany and #189 in France.

The single "Hit the City" peaked at 76 on the British singles chart and is Lanegan's first charted single.

The track "Strange Religion" was used in season 6 of the Showtime television series Californication

Track listing

All songs written by Mark Lanegan.

1. "When Your Number Isn't Up" - (3:01)
2. "Hit the City" - (2:48)
3. "Wedding Dress" - (3:07)
4. "Methamphetamine Blues" - (3:16)
5. "One Hundred Days" - (4:36)
6. "Bombed" - (1:08)
7. "Strange Religion" - (4:07)
8. "Sideways in Reverse" - (2:46)
9. "Come to Me" - (3:45)
10. "Like Little Willie John" - (3:53)
11. "Can't Come Down" - (3:37)
12. "Morning Glory Wine" - (4:27)
13. "Head" - (3:04)
14. "Driving Death Valley Blues" - (2:48)
15. "Out of Nowhere" - (2:43)

Personnel