Back from the Grave, Volume 5

Back from the Grave, Volume 5 (LP) is the fifth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. It was released in 1985. In keeping with all of the entries in the series, and as indicated in the subheading which reads "16 Crazed Bone Crunchin' Mid-60s Garage Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd which depicts revivified zombies, in customary fashion, returning to wreak havoc, this time exacting joyful revenge on whole chunks of the human race (i.e. followers of what they consider to be the musically "heretical" forms which have come in and out of fashion since the demise of 1960s garage bands), by using a variety of noxious substances and even resorting to the nuclear option, while a handful of their victims wallow in a "hydroconformic acid hot tub."

Contents

• Side one
• Side two
• Catalogue and release information
• Back from the Grave Volumes 5 and 6 CD
• Songs
• References

The set begins with "Warning," by the Humans, from Albion, New York. "Won't You Tell Me," is by Vestells, from eastern Pennsylvania and was recorded at the Cameo-Parkway Studios in Philadelphia. Also included is "City of People," an invective against conformist society, by he Illusions, from Detroit. The Kegg's, from Detroit close out side one with what Tim Warren has called their "tortured" anthem, "To Find Out." Side two begins with the organ-driven protopunk of "Stormy," by the Jesters of Newport. The Tigermen from upstate New York perform "Close That Door." The set concludes with "Take the World as it Comes," by the Rising Tides.