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Ariettes oubliées

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Ariettes oubliées (Forgotten Songs) is a song cycle for voice and piano, L. 60 by Claude Debussy, based on a poem written by Paul Verlaine in 1885–1887. The poetry of Paul Verlaine had a more profound influence on Claude Debussy's music than did Debussy's closest literary or musical acquaintances.

Debussy and Verlaine were both inspired by subtlety and nuance. Each man sought to innovate by using rhythm and tone color as the basis for a new form of a pre-existing art. In the Ariettes oubliées, subtlety, nuance, rhythm and tone color (timbre) converged to create a mature compositional style for Debussy, which, in turn, gave a heightened level of understanding to Verlaine's poetry. This collection of songs set the tone for all of Debussy's future vocal compositions in terms of rhythm, harmony, tone, color and attention to poetic detail.

Songs

  1. "Le vent dans la plaine": C'est l'extase langoureuse
  2. "Il pleut doucement sur la ville": Il pleure dans mon cœur comme il pleut sur la ville
  3. "L'ombre des arbres": L'ombre de arbres dans la rivière embrumée
  4. "Paysages belges. Chevaux de bois": Tournez, tournez, bons chevaux de bois
  5. "Aquarelles I. Green": Voici des fruits, des fleurs, des feuilles
  6. "Aquarelles II. Spleen": Les roses étaient toutes rouges

References

Ariettes oubliées Wikipedia