Title Countess of Bedford | Name Anne Countess | |
 | ||
Born Lady Anne Carr
9 December 1615 ( 1615-12-09 ) Tower of London, London Died May 10, 1684, Woburn Abbey, Woburn, United Kingdom Spouse William Russell, 1st Duke of Bedford (m. 1637–1684) Children William Russell, Lord Russell Parents Frances Carr, Countess of Somerset, Robert Carr, 1st Earl of Somerset Grandchildren Wriothesley Russell, 2nd Duke of Bedford, Catherine Russell, Rachel Russell Similar People Robert Carr - 1st Earl of So, Frances Carr - Countess, William Russell - Lord Rus, Rachel Russell - Lady Rus, Robert Devereux - 3rd Earl o | ||
Anne Carr, Countess of Bedford (9 December 1615 – 10 May 1684) was a wealthy English noblewoman, and the wife of William Russell, 5th Earl of Bedford, a peer and soldier during the English Civil War, who after her death was created Duke of Bedford. Her mother was the notorious Frances Howard who was an accomplice to murder. In about 1638, Anne was the subject of at least two portraits by Flemish painter Anthony van Dyck.
Contents
Family
Lady Anne was born in the Tower of London on 9 December 1615, the only child and heir of Robert Carr, 1st Earl of Somerset and Frances Howard, a member of the noble Howard family. Anne was baptised on 16 December 1615 at St Martin's Church, Ludgate. At the time of her birth, her parents were imprisoned on charges of having participated in the fatal poisoning of Sir Thomas Overbury in 1613. They were both sentenced to death, but later spared execution. Her mother admitted to her complicity in the crime but her father maintained his innocence. The family remained in the Tower until January 1622 when King James I pardoned the Earl and Countess of Somerset.
Marriage and issue
Anne was described as having been virtuous and one of the three beauties of the royal court. Her beauty caught the eye of William Russell, the son and heir of Francis Russell, 4th Earl of Bedford and Catherine Brydges. Remembering the notorious scandal caused by Anne's parents; in particular, the infamous reputation of her mother, as well as the ignominy of her own birth in the Tower of London during the Somersets' imprisonment, William's father staunchly opposed the match, warning his son to be "upon his guard against the dangerous beauty of Anne Carr". A passionate attachment sprang up between William and Anne and the former refused to yield to his father's wishes in the matter. King Charles I, who favoured the marriage, eventually persuaded the earl to give his consent to the match; thus on 11 July 1637 at St. Benet's Church, Paul's Wharf, London, William Russell and Anne Carr were married. She brought him a fortune of £12,000, and the London property on which stood Southampton House, which became Bedford House and was developed later in the century as Bloomsbury Square.
In about 1638, the celebrated Flemish artist, Anthony van Dyck painted at least two portraits of Anne.
When William succeeded as the 5th Earl of Bedford on 9 May 1641 upon the death of his father, Anne was thereafter styled as Countess of Bedford. She was never the Duchess of Bedford as William was not created a duke until ten years following her death.
The couple resided at Woburn Abbey in Bedfordshire, and their marriage was said to have been happy.
For a list of William and Anne's eight children, see William Russell, 1st Duke of Bedford
Death
Anne died on 10 May 1684 at Woburn Abbey. Her death occurred a year after her son, William became one of the conspirators in the Rye House Plot; he was later arrested and beheaded on 21 July 1683 for treason against the King (Charles II) and the Duke of York (later James II). It was believed at the time that her death was brought about by the shock she received at the execution of William; from that moment onwards, her health had visibly declined and she never recovered. She was buried in the Bedford Chapel at Chenies parish church, Buckinghamshire on 16 May.
A splendid white marble monument to Anne and her husband occupies the west wall of the chapel. She is represented beside her husband in classical drapery on a high pedestal, seated in an attitude intended to express grief.