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Allerseelen (Strauss)

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English
  
All Souls' Day

Dedication
  
Heinrich Vogl

Language
  
German

Allerseelen (Strauss)

Catalogue
  
Op. 10 number 8, TrV 141

Text
  
Poem by Hermann von Gilm

Composed
  
31 October 1885 (1885-10-31)

"Allerseelen" ("All Souls' Day") is an art song for voice and piano composed by Richard Strauss in 1885, setting a poem by the Austrian poet Hermann von Gilm from his collection Letzte Blätter (Last Pages). It is the last in a collection of eight songs which were all settings of Gilm poems from the same volume entitled Acht Lieder aus Letzte Blätter (Eight Songs from Last Pages), the first collection of songs Strauss ever published as Op. 10 in 1885, including also "Zueignung" (Dedication) and "Die Nacht" (The Night). The song was orchestrated in 1932 by German conductor Robert Heger.

Contents

Composition history

In 1882, Strauss' friend, Ludwig Thuile, introduced Strauss to the poetry of Gilm contained in the volume Letzte Blätter (Last Pages), published in the year of the poet's death, (and the composer's birth), 1864, which contained the poem, Allerseelen. The Opus 10 songs were all intended for the tenor voice and were dedicated to the principal tenor of the Munich Court Opera, Heinrich Vogl. Gilm's poem Allerselen was well known in Germany; Eduard Lassen had set it several years previously. Strauss completed the song on 3 October, 1885, whilst at Meiningen, where he had started his first job as conductor under Hans von Bülow. The song was given its first public performance at Meiningen in a chamber concert on 5 March, 1886, (along with three other Opus 10 songs ("Zueignung" ("Dedication"), "Nichts" ("Nothing"), and "Die Georgine" ("The Dahlia")), sung by the tenor Rudolf Engelhardt. Whilst Strauss originally conceived of the song as being for a tenor, he did perform it, as accompanist to his wife, Pauline in two concerts in Brussels given in November 1896, and other concerts around Germany in 1898 and 1899. In 1921, during his US tour, he also performed it with the soprano, Elena Gerhardt. Unfortunately, there are no known recordings by Strauss of this song.

Interpretations of poem are various. All Souls' Day, (1 November), is the day of the year when people commemorate and recall those dear to them, who have died. Alan Jefferson argues that "...the singer's character is trying to take advantage of the day to revive an old love affair which, it seems, has also died." Others see it more as a supernatural encounter: either the dead lover is communicating with the person setting the table, or the singer is communicating with a departed lover. Norman Del Mar, when discussing the Opus 10 collection, states that "Lastly comes the ever-popular Allerseelen... a broad effusion of Strauss' growing lyricism".

Orchestral arrangements

The 1932 orchestration by Heger has the following instrumentation:

  • Two flutes, two oboes, two clarinets, bass clarinet, two bassoons
  • Four french horns, two trumpets, one trombone
  • Timpani
  • One harp
  • Strings
  • "Heger's version was acceptable to Strauss, and indeed he conducted it at his own concerts".

    There are instrumental arrangements for Brass band, including one by Stephen Roberts published in 2006.

    References

    Allerseelen (Strauss) Wikipedia