Year 1505 Artist Lorenzo Lotto Media Paint | Medium Oil on panel Created 1505 | |
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Dimensions 65.5 cm × 42.4 cm (25.8 in × 16.7 in) Location National Gallery of Art, Washington, DC Periods Italian Renaissance, High Renaissance, Renaissance, Venetian school Similar Lorenzo Lotto artwork, Artwork at National Gallery of Art, Italian Renaissance artwork | ||
The Allegory of Virtue and Vice is a painting by the Italian High Renaissance painter Lorenzo Lotto, dating to 1505. It is housed in the National Gallery of Art in Washington, DC, United States.
Contents
History
The painting originally formed the protective cover of the Portrait of Bernardo de' Rossi, the bishop of Treviso who was Lotto's patron at the time. When it was opened to display the portrait, the inscription (on the reverse of the Allegory) would have been revealed:
The painting was brought to Parma when de' Rossi fled Treviso, and there it became part of the Farnese collection, from which it was bought in 1803; after a series of different possessors, it arrived in the United States in 1935, and was donated to the current museum four years later.
Description
The painting is an allegoric scene with the bishop's coat of arms lying on a tree in the center of the composition. The tree divides the latter in two parts corresponding to its two branches, one green and one dried. The former is associated to the allegory of Virtue, featuring a putto playing with books (a symbol of wisdom) and the symbols of the Liberal Arts.
The right half shows a drunk silenus, sleeping among the symbols of vice; to these, in the background, corresponds a valley with an easy access, but dark and including a forest, which is a symbol of getting lost without the divine light, as well as a boat sinking in a lake, a symbol of failure.
The theme is perhaps derived from an engraving by Albrecht Dürer, which also includes a similar tree with moral symbols.