3 /10 1 Votes
Originally published 2015 Composer Louis Rosen | 1.5/5 Time Out Playwright James Lapine Adapted from Act One: An Autobiography | |||||||||||||||||||||||||||||||||
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Characters Barnett Hart, Frieda Fishbein, Lillie Hart Similar James Lapine plays, Other plays | ||||||||||||||||||||||||||||||||||
Act One is a play written by James Lapine, based on Moss Hart's autobiography of the same title. The play premiered on Broadway in 2014.
Contents
Production
Act One premiered on Broadway at the Vivian Beaumont Theater in Lincoln Center on March 20, 2014 (previews), officially on April 17, 2014. Directed by James Lapine, the cast features Santino Fontana, Tony Shalhoub (as George S. Kaufman and Moss Hart) and Andrea Martin. Martin plays three women in Moss Hart's life; Shalhoub also plays three roles: as the older Hart, Moss’s father, and George S. Kaufman. The play closed on June 15, 2014 after 67 performances and 31 previews. It was filmed to be shown on the PBS television program "Live from Lincoln Center." The filmed production was televised on PBS in November 2015.
The play had a reading on Martha's Vineyard in July 2012, with Tony Shalhoub, Debra Monk, Chuck Cooper and David Turner. The play was developed at the Vineyard Arts Project.
Overview
The play is an adaption of Moss Hart's autobiography Act One. The play, narrated by the older Moss Hart, traces his life from being poor in The Bronx to becoming famous and successful as a Broadway writer and director. The play depicts Hart's meeting and collaboration with George S. Kaufman. Act One ends with the production of the Hart-Kaufman successful play, Once in a Lifetime in 1930.
Critical reception
Ben Brantley, in his review for The New York Times, wrote "whatever its flaws, 'Act One,'... brims contagiously with the ineffable, irrational and irrefutable passion for that endangered religion called the Theater."
Elysa Gardner, in her review in USA Today, wrote that the play "... is rather an appreciation, most notable for its deep affection and almost deferential reverence. To say the play lacks the complex poignance of the 'Sunday in the Park with George' and 'Into the Woods' librettist's best work wouldn't be fair; however wry Hart's humor or complicated his relationships — with show business, his family, other people — his 'Act One' is a nostalgic and ultimately upbeat reflection on fulfilling a dream....Lapine captures that essence and the period, on the page and on the stage."
The play received nominations for five Tony Awards, with Beowulf Boritt winning for what Playbill called his "captivating, multi-level set design, built on a large-scale revolve..."