Full NameJohn Whitney Stillman BornJanuary 25, 1952 (age 63) (1952-01-25) Washington, D.C. Alma materHarvard University (BA, 1973) OccupationScreenwriter, film director Notable workMetropolitan (1990)
The Last Days of Disco (1998) BooksThe last days of disco, Cocktails at Petrossian, Barcelona and Metropolitan: A Tales of Two Cities (2 Screenplays) ParentsJohn Sterling Stillman, Margaret Riley Stillman EducationCollegiate School, Harvard University AwardsIndependent Spirit Award for Best First Feature MoviesDamsels in Distress, Metropolitan, The Last Days of Disco, The Cosmopolitans, Love and Friendship Similar PeopleChris Eigeman, Carolyn Farina, Greta Gerwig, Carrie MacLe, Taylor Nichols Profiles Twitter
John Whitney "Whit" Stillman (born January 25, 1952) is an American writer-director known for his sly depictions of the "urban haute bourgeoisie." He is perhaps best known for his 1990 film Metropolitan, which earned him a nomination for the Academy Award for Best Original Screenplay, and the 1998 romantic drama The Last Days of Disco.
Whit Stillman was born in 1952 in Washington, D.C., to Margaret Drinker (nee Riley), from Philadelphia, Pennsylvania, and a Democratic politician, John Sterling Stillman, an assistant secretary of commerce under President John F. Kennedy (a classmate of Stillman's father at Harvard), from Washington, D.C. His great-grandfather was businessman James Stillman and his great-great-grandfather, Charles Stillman, was the founder of Brownsville, Texas. Stillman grew up in Cornwall, New York and experienced depression during puberty. "I was very depressed when I was 11 or 12," he told The Wall Street Journal. "I was sent to the leading Freudian child psychologist in Washington, D.C. It was heck. The last thing I needed to talk about was guilt about sex." But when his parents separated, he found that his depression ceased: "I actually felt healthier."
Stillman's godfather was academic E. Digby Baltzell. He attended the Potomac School and Millbrook School, and then studied history at Harvard University, where he was a member of the Fly Club and wrote for The Harvard Crimson.
Career before filmmaking
After graduating from Harvard in 1973, Stillman began working as an editorial assistant at Doubleday in New York City, followed by a stint as a junior editor at The American Spectator. (Stillman has since downplayed his work at The American Spectator, expressing a desire to remain "apolitical".)
He was introduced to some film producers from Madrid and persuaded them that he could sell their films to Spanish-language television in the U.S. He worked for the next few years in Barcelona and Madrid as a sales agent for directors Fernando Trueba and Fernando Colomo, and sometimes acted in their films, usually playing comic Americans, such as his role in Trueba's film, Sal Gorda.
Stillman wrote and directed three comedies of manners (or "comedies of mannerlessness") released in the 1990s: Metropolitan (1990), Barcelona (1994), and The Last Days of Disco (1998); he published a novel based on the last of these films. After completing his film trilogy, Stillman departed from independent comedy and started researching and writing a series of scripts set abroad. In August 1998 (shortly after The Last Days of Disco was released) he left his loft conversion in Manhattan's SoHo and relocated to Paris. He returned to New York in 2010.
A fourth film, Damsels in Distress, was released in 2011, premiering out of competition as the closing film at the 68th Venice International Film Festival. The Guardian in 2012 compared Stillman to Terrence Malick, another filmmaker who has "come to owe a good part of their mystique to the very paucity of their oeuvre ... [t]he lengthy gaps in between [films] have created expectations that are hard to fulfil, and admirers have been inclined to overestimate their achievement." A reviewer at Salon opined that the reason for the long gaps between his films is that "Stillman is sometimes simply too damn smart for his own good. You can't always tell at whom he's poking fun, or why, and it becomes unfortunately easy to typecast him as the WASP answer to Woody Allen and conclude that his movies are insufferably irritating documents of privilege. He himself is aware of that possibility the whole time, and bastes his entire worldview in a rueful, ironic-romantic glaze."
Stillman wrote the screenplay for Metropolitan between 1984 and 1988 while running an illustration agency in New York, and financed the film by selling his apartment (for $50,000) and with the contributions of friends and relatives. Loosely based on real-life events Stillman had experienced while living in Manhattan, with his divorced mother during the week of Christmas break 1969during his first year at Harvard, Metropolitan tells the story of the alienated Princetonian Tom Townsend's introduction to the "Sally Fowler Rat Pack" (SFRP), a small group of preppy, Upper East Side Manhattanites making the rounds at debutante balls during Christmas break of their first year in college. Though he is a socialist deeply skeptical about the SFRP's upper-class values, Tom (Edward Clements) grows increasingly attached to the cynical Nick (Chris Eigeman) and plays an important part, of which he is largely unaware, in the life of Audrey (Carolyn Farina), a young debutante. Many of the exclusive interior locations were lent to Stillman by family friends and relatives.
Stillman won Best First Feature at the 6th Independent Spirit Awards and was nominated for an Academy Award in 1991 for Best Original Screenplay. Metropolitan was also nominated for the Grand Jury Prize (Drama) at the 1990 Sundance Film Festival. He won the 1990 New York Film Critics Circle Award for Best New Director. The movie was a financial success, grossing about $3 million on a budget of $225,000.
In an interview Stillman said of the film, “The material seemed pretty rich, almost rank. And perhaps it’s better approaching a subject people feel strongly about, even if that strong feeling is hatred, than something colorless and unspecific. Also, I love anachronism and this was the chance to film, essentially, a costume picture set in the present day or recent past. But a large part of the idea was to disguise our pitifully low budget by filming the most elegant subject available.”
Barcelona, his first studio-financed film, was inspired by his own experiences in Spain during the early 1980s. Stillman has described the film as An Officer and a Gentleman, but with the title referring to two men rather than one. The men, Ted and Fred, experience the awkwardness of being in love in a foreign country culturally and politically opposed to their own.
The Last Days of Disco
The Last Days of Disco was loosely based on Stillman's experiences in various Manhattan nightclubs, including Studio 54. The film concerns Ivy League and Hampshire graduates falling in and out of love in the disco scene of Manhattan in the "very early 1980s". Chloe Sevigny and Kate Beckinsale play roommates with opposite personalities who frequent disco clubs together. The Last Days of Disco concludes a trilogy loosely based on Stillman's life and contains many references to the previous two films: a character considers a move to Spain to work for American ad agencies there after meeting with the Barcelona character of Ted Boynton, and Metropolitan's heroine Audrey Rouget reappears briefly as a successful publisher, as do a few other characters from that film, as clubgoers. In 2000 Stillman published a novelization of the film, The Last Days of Disco, with Cocktails at Petrossian Afterwards.
Damsels in Distress
After a 13-year hiatus, Stillman released his fourth film, Damsels in Distress, starring Greta Gerwig, Adam Brody, Hugo Becker and Analeigh Tipton. It premiered September 10 at the 2011 Venice Film Festival as the closing film, to favorable reviews. The film is "about three young women at an East Coast university, the transfer student that joins their group and the young men they become entangled with."
Stillman stated in 2006 that he was working on several unfinished scripts. He had been slated to direct a film adaptation of Christopher Buckley's novel Little Green Men, but in a 2009 interview, Stillman said the adaptation is "[not] happening, at least with me." He is writing another film, Dancing Mood, set in Jamaica in the 1960s. In 2014 Stillman wrote and directed the pilot episode of a TV series, The Cosmopolitans, for Amazon Studios. He has recently said that he is working on an adaptation of Jane Austen's short novel Lady Susan.