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Pablo de Sarasate

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Years active
  
1852–1904

Education
  
Conservatoire de Paris

Parents
  
Don Miguel Sarasate


Role
  
Violinist

Name
  
Pablo Sarasate

Genres
  
Classical music

Pablo de Sarasate Zigeunerweisen by Pablo de Sarasate Melodious Merchant

Birth name
  
Pablo Martin Meliton de Sarasate y Navascues

Born
  
10 March 1844 Pamplona, Spain (
1844-03-10
)

Occupation(s)
  
Composer, conductor, violinist

Died
  
September 20, 1908, Biarritz, France

Compositions
  
Zigeunerweisen, Zigeunerweisen, Carmen Fantasy, Carmen Fantasy, Spanish Dances - op 22 - no 1: Romanza andaluza, Spanish Dances - op 22 - no 1: Romanza andaluza, Caprice basque - op 24, Caprice basque - op 24, Introduction et tarantelle - op 43, Introduction et tarantelle - op 43, Carmen Fantasy - op 25: Introduction Allegro moderato, Carmen Fantasy - op 25: Introduction Allegro moderato, Souvenir de Domont - op 8, Souvenir de Domont - op 8, Melodie roumaine - op 47, Melodie roumaine - op 47, Spanish Dances - op 26 - no 1: Vito Allegretto, Spanish Dances - op 26 - no 1: Vito Allegretto, Spanish Dances - op 21 - no 2: Habanera, Spanish Dances - op 21 - no 2: Habanera, Fantasie sur La Dame Blanche - op 3, Fantasie sur La Dame Blanche - op 3, La Chasse - op 44, La Chasse - op 44, Mosaique de Zampa - op 15, Mosaique de Zampa - op 15, Canciones rusas - op 49, Canciones rusas - op 49, Jota aragonesa - op 27, Jota aragonesa - op 27, Concert Fantasy on Gounod’s Romeo et Juliette - op 5, Concert Fantasy on Gounod’s Romeo et Juliette - op 5, Introduction et caprice-jota - op 41, Introduction et caprice-jota - op 41, Spanish Dances - op 21 - no 1: Malaguena, Spanish Dances - op 21 - no 1: Malaguena, Jota de Pablo - op 52, Jota de Pablo - op 52, Miramar - op 42, Miramar - op 42, Airs ecossais - op 34, Airs ecossais - op 34, Moscovienne - op 12, Moscovienne - op 12, Gavota de Mignon - op 16, Gavota de Mignon - op 16, Carmen Fantasy - op 25: III Allegro moderato, Carmen Fantasy - op 25: III Allegro moderato, Spanish Dances - op 22 - no 2: Jota navarra, Spanish Dances - op 22 - no 2: Jota navarra, Muineira - op 32, Muineira - op 32, Serenata andaluza - op 28, Serenata andaluza - op 28, Spanish Dances - op 23 - no 2: Zapateado, Spanish Dances - op 23 - no 2: Zapateado, El canto del ruisenor - op 29, El canto del ruisenor - op 29, Concert Fantasy on themes from Gounod's "Faust" - op 13, Concert Fantasy on themes from Gounod's "Faust" - op 13, Navarra - op 33, Navarra - op 33, Fantaisie de concert sur La forza del destino - op 1, Fantaisie de concert sur La forza del destino - op 1, Spanish Dances - op 23 - no 1: Playera, Spanish Dances - op 23 - no 1: Playera, Carmen Fantasy - op 25: I Moderato, Carmen Fantasy - op 25: I Moderato, Carmen Fantasy - op 25: II Lento assai, Carmen Fantasy - op 25: II Lento assai, Carmen Fantasy - op 25: IV Moderato, Carmen Fantasy - op 25: IV Moderato, Malaguena - op 21 no 1, Malaguena - op 21 no 1, Gondoliera veneziana - op 46, Gondoliera veneziana - op 46, Balada - op 31, Balada - op 31, ¡Viva Sevilla! - op 38, ¡Viva Sevilla! - op 38, Homenaje a Rossini - op 2, Homenaje a Rossini - op 2, Airs espagnols - op 18, Airs espagnols - op 18, Concert Fantasy on Mozart’s Die Zauberflote - op 54, Concert Fantasy on Mozart’s Die Zauberflote - op 54, Peteneras - capriccio espagnol - op 35, Peteneras - capriccio espagnol - op 35, Nocturne-serenade - op 45, Nocturne-serenade - op 45, Fantaisie de concert sur Martha - op 19, Fantaisie de concert sur Martha - op 19, Spanish Dances - op 26 - no 2: Habanera Allegro moderato, Spanish Dances - op 26 - no 2: Habanera Allegro moderato

Similar People
  
Camille Saint‑Saens, Henryk Wieniawski, Niccolo Paganini, Itzhak Perlman, Jascha Heifetz

Pablo de sarasate zigeunerweisen op 20 with violinist aaron rosand


Martín Melitón Pablo de Sarasate y Navascués ([ˈpaβlo saɾaˈsate]; 10 March 1844 – 20 September 1908) was a Spanish violinist and composer of the Romantic period.

Contents

Pablo de Sarasate Quotes by Pablo de Sarasate Like Success

Playera pablo de sarasate violin and guitar duet mariko diangelo cicilia


Career

Pablo de Sarasate PabloSarasate

Pablo Sarasate was born in Pamplona, Navarre, the son of an artillery bandmaster. Apparently he picked up the violin and played a passage of music perfectly his father had been struggling to play for a long time. He began studying the violin with his father at the age of five and later took lessons from a local teacher. His musical talent became evident early on and he appeared in his first public concert in A Coruña at the age of eight.

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His performance was well-received, and caught the attention of a wealthy patron who provided the funding for Sarasate to study under Manuel Rodríguez Saez in Madrid, where he gained the favor of Queen Isabella II. Later, as his abilities developed, he was sent to study under Jean-Delphin Alard at the Paris Conservatoire at the age of twelve.

Pablo de Sarasate httpsuploadwikimediaorgwikipediacommons77

There, at seventeen, Sarasate entered a competition for the Premier Prix and won his first prize, the Conservatoire's highest honour. (There was not another Spanish violinist to achieve this until Manuel Quiroga did so in 1911; Quiroga was frequently compared to Sarasate throughout his career.)

Pablo de Sarasate Pablo de Sarasate Wikipedia the free encyclopedia

Sarasate, who had been publicly performing since childhood, made his Paris debut as a concert violinist in 1860, and played in London the following year. Over the course of his career, he toured many parts of the world, performing in Europe, North America, and South America. His artistic pre-eminence was due principally to the purity of his tone, which was free from any tendency towards the sentimental or rhapsodic, and to that impressive facility of execution that made him a virtuoso. In his early career, Sarasate performed mainly opera fantasies, most notably the Fantasía Carmen, and various other pieces that he had composed. The popularity of Sarasate's Spanish flavour in his compositions is reflected in the work of his contemporaries. For example, the influences of Spanish music can be heard in such notable works as Édouard Lalo's Symphonie Espagnole which was dedicated to Sarasate; Georges Bizet's Carmen; and Camille Saint-Saëns' Introduction et Rondo Capriccioso, written expressly for Sarasate and dedicated to him.

Pablo de Sarasate The Pasternak Trust Photographic Archive Notable

Of Sarasate's idiomatic writing for his instrument, the playwright and music critic George Bernard Shaw once declared that though there were many composers of music for the violin, there were but few composers of violin music. Of Sarasate's talents as performer and composer, Shaw said that he "left criticism gasping miles behind him". Sarasate's own compositions are mainly show-pieces designed to demonstrate his exemplary technique. Perhaps the best known of his works is Zigeunerweisen (1878), a work for violin and orchestra. Another piece, the Fantasía Carmen (1883), also for violin and orchestra, makes use of themes from Georges Bizet's opera Carmen. Probably his most performed encores are his two books of Spanish dances, brief pieces designed to please the listener's ear and show off the performer's talent. He also made arrangements of a number of other composers' work for violin, and composed sets of variations on "potpourris" drawn from operas familiar to his audiences, such as his Fantasia on La forza del destino (his Opus 1), his "Souvenirs de Faust", or his variations on themes from Die Zauberflöte. At Brussels, he met Berthe Marx, who traveled with him as soloist and accompanist on his tours through Europe, Mexico, and the US; playing in about 600 concerts. She also arranged Sarasate's Spanish dances for the piano. In 1904, he made a small number of recordings. In all his travels Sarasate returned to Pamplona each year for the San Fermín festival.

Sarasate died in Biarritz, France, on 20 September 1908, from chronic bronchitis. He bequeathed his violin, made by Antonio Stradivari in 1724, to the Musée de la Musique. The violin now bears his name as the Sarasate Stradivarius in his memory. His second Stradivari violin, the Boissier of 1713, is now owned by Real Conservatorio Superior de Música, Madrid. Among his violin pupils was Alfred de Sève. The Pablo Sarasate International Violin Competition is held in Pamplona.

A number of works for violin were dedicated to Sarasate, including Henryk Wieniawski's Violin Concerto No. 2, Édouard Lalo's Symphonie Espagnole, Camille Saint-Saëns' Violin Concerto No. 3 and his Introduction and Rondo capriccioso, Max Bruch's Scottish Fantasy, and Alexander Mackenzie's Pibroch Suite. Also inspired by Sarasate is William H. Potstock's Souvenir de Sarasate.

Appearance in other art forms

  • James Whistler's Arrangement in Black: Pablo de Sarasate (1884) is a portrait of Pablo Sarasate.
  • In Arthur Conan Doyle's short story The Red-Headed League (1891), Sherlock Holmes and Dr. John H. Watson attend a concert by Sarasate.
  • Sarasate is a major figure in Murder to Music, a Sherlock Holmes pastiche by Anthony Burgess. Holmes is also mentioned as attending a Sarasate concert in The Treasure Train by Frankie Thomas.
  • In Edith Wharton's 1920 novel The Age of Innocence, set in 1870s New York, the main protagonist is invited to a private recital to be given by Sarasate.
  • Zigeunerweisen is the title of Seijun Suzuki's 1980 movie, the first of the so-called Taisho Trilogy. A recording of the air of the same title by Sarasate, and his that can be heard on the recording, are one of the themes of the movie.
  • References

    Pablo de Sarasate Wikipedia